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Band-in-a-Box for Windows
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I guess I will always be challenged by chord notation in BIAB, so please bear with me. I am trying to notate C#maj7 (add 13) in a song in the key C. I thought I could type "C#maj7/13" and get what I wanted, but BIAB converted it to Ebmaj7. First, am I correct in how to enter the add 13 chord? Second, is there a global switch in opts to turn off BIAB's conversion of chords? I have looked and haven't found an answer to the second question.
Thank you.
Bob aka jazzwombat
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Band-in-a-Box for Windows
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C#maj13 Later, Ray
P.S. You'll find the chord list in the manual and in BIAB help.
in reading your post again it's unclear whether you want a C# or a C chord with a maj 7th. If it's a C chord with major 7th and a 13th then write it Cmaj13
Last edited by raymb1; 04/22/11 04:54 PM.
Asus Q500A i7 Win 10 64 bit 8GB ram 750 HD 15.5" touch screen, BIAB 2017, Casio PX 5s, Xw P1, Center Point Stereo SS V3 and EWI 4000s.
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Band-in-a-Box for Windows
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Quote:
I guess I will always be challenged by chord notation in BIAB, so please bear with me. I am trying to notate C#maj7 (add 13) in a song in the key C. I thought I could type "C#maj7/13" and get what I wanted, but BIAB converted it to Ebmaj7. First, am I correct in how to enter the add 13 chord? Second, is there a global switch in opts to turn off BIAB's conversion of chords? I have looked and haven't found an answer to the second question.
Thank you.
Bob aka jazzwombat
I assume you are trying to enter a "C#Maj13" (C#, G#, E#, C and A#) which is how BIAB would intrepret a C#maj7 (add 13). Does that sound right??
Or, what Ray said above...
Last edited by jazzmandan; 04/22/11 03:46 PM.
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Band-in-a-Box for Windows
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Thanks. As may be all too evident, I am not very knowledgeable with chords, so I assumed C#maj7 (add 13) was somehow different from C#maj13. I've learned something new once again.
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Are you trying to avoid 9 and 11? Because c#maj13 should give you maj7, 9, 11 and 13.
John
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SmoothJohn is correct; technically there is a difference. For BIAB, though, you must use the maj13 construction since the "add 13" is not supported.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Band-in-a-Box for Windows
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Quote:
Are you trying to avoid 9 and 11? Because c#maj13 should give you maj7, 9, 11 and 13.
John
Yes, if you tell BIAB to play a CMaj13, the selected style will determine how the chord is actually voiced and you will likely get any and all of those notes. I just checked with a JazBallad style and confirmed in the first bar over a Cmaj13 the piano plays Root, 5, 7, 9 with the right hand, and the 3 and 13 with the left hand. Upon regenration I suppose it would all change again.
To a newbee this is always confusing when working with BIAB - but is actually the magic of the program at the same time. 
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Band-in-a-Box for Windows
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Simple answer: I don't know. I was developing a backing track for Jobim's "If you never come to me" and the chart I was given had "C#maj7 (add 13)" at bar 2. For the back track I suppose it really doesn't matter, but for my solos over that chord it could, if "add 13" means not using the 9 and 11th of C#maj. Your thoughts?
Bob aka jazzwombat
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Are you doing the song in the key of"D"? If so, the second chord is C#maj7. The melody is the 13th or 6th. At least according to the lead sheet I have. In soloing I think most players would be thinking of the C#maj7 and not worry about the 13th. My thoughts, Ray
Asus Q500A i7 Win 10 64 bit 8GB ram 750 HD 15.5" touch screen, BIAB 2017, Casio PX 5s, Xw P1, Center Point Stereo SS V3 and EWI 4000s.
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For that particular instance, you likely would do best to simply have BiaB play the C#maj7 chord.
--Mac
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Band-in-a-Box for Windows
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I like simple: I'll stick with C#maj7. Thanks everyone. jazzwombat aka Bob
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Hi. I see this thread is way too old, but I think I have the solution: B♭m9/C♯ is an enharmonic of C♯maj7add13, that is, it has the same notes but with a different chord name. C♯maj7add13 can also be considered as C♯maj7add6. The same way, C♯add13 is equivalent to C#6 and also to B♭m7/C♯.
The reason why we use to consider thirteenth instead of sixth or eleventh instead of fourth or ninth instead of second is that they have a whole octave in between, and thus the dissonance caused by the strange note (in our case, the sixth over the major seventh) is less.
Regards.
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