Let's spell it.

8,8,7,7,7,7

C.F,A,D,F#,B

Note the enharmonic of the F with that F# an octave above it.

I would drop one or the other, depending on the context, however if you like it there are no rules at that point.

IS C the actual bass note for the rest of it? If so, naming off of the C wouldn't be allowed in standard fakechord because of the F.

One could notate it as a 'pipe' chord, where two basic triads are indicated as stacked, thus: F|Bm -- but BiaB has yet to recognize the pipe chord system.

Bm7/C would cover all notes but the darned F and may work.

I think you need to relisten to that F in there...



--Mac