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Band-in-a-Box Wishlist
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Joined: Jul 2000
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OP
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Just a small request:
You can enter Maj9(#11) or Maj13(#11), but you cannot enter Maj7(#11).
Maj7(#11) is occasionally seen in fakebooks (more commonly than the other two chords, I would think), and it would be nice to have support for this.
Yes, I know I can add an entry in shortcut.txt but I want to be able to choose the sound without the 9th or the 13th.
Thanks.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Presonus 192 & Faderport 8, Royer 121, Slate VSX, Adam Sub8 & Neumann 120 monitors.
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Band-in-a-Box Wishlist
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Joined: Jun 2003
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Journeyman
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Journeyman
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So is a Maj7#11 spelt.. C E G B F#?
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Band-in-a-Box Wishlist
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Joined: Jul 2000
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BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Presonus 192 & Faderport 8, Royer 121, Slate VSX, Adam Sub8 & Neumann 120 monitors.
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Band-in-a-Box Wishlist
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Joined: Jul 2003
Posts: 17
Enthusiast
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Enthusiast
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There's no difference between a maj7#11 and a maj9#11. Technically, you could say that because the ninth is not specified in the one, that it's not meant to be there; but in practice, any flavor of 7th chord is equivalent to the same flavor of 9th chord. Maybe in pop you'd be that specific, but in jazz (the most likely place to see that chord) you'd nearly always substitute the 9th for the root, thus spelling a Cmaj7#11 as E G B D F#. That's especially true if the chord includes an 11th or 13th, which implies that the 9th is also present. Still, you see it notated that way, and I think it's an odd omission. If only one were available, I would think it would be the maj7#11, with chord embellishments providing the 9th.
+1
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Thanks, I agree. That's funny because I just gave basically that same explanation in another post about the 9th being implied as present in a 13th chord.
Had forgotten about this post. Just checked, and Maj7#11 is not supported in Version 2009.5.
I tend to over-write chords in my charts, putting in lots of 9s and 13s when the pianist says, "I'm going to play those anyway; just write it more simply." So, it's in that spirit that having Maj7#11 would be helpful without a shortcut needed. I agree, you'll probably hear BIAB play the same thing as it would for a Maj9#11. The second part of my request, to omit the 9 (or 13) from the chord would be an added bonus.
If nothing else, maybe BIAB can add the shortcut by default, so the program will accept the data entry instead of making someone scratch their head when nothing happens. It's OK if it turns into a Maj9#11. I'm used to these substitutions, where typing Dadd9 becomes D2, and typing D11 becomes D9sus.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Presonus 192 & Faderport 8, Royer 121, Slate VSX, Adam Sub8 & Neumann 120 monitors.
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Joined: May 2000
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I agree with your pianist.
Try a simple Maj7alt or Maj7b5 if that #11 is all-important to get the point across fast and clean. Any player would realize all too soon that the flatted fifth should be in open and not closed voicing. Well, almost any player.
Fake chords are designed to be a shorthand method. If you want to get really exact, consider writing out the piano grand staff for the poor guy. And then be prepared for even more complaints.
--Mac
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Thanks, Mac. Let me clarify. The conversation I had with the pianist took place well over thirty years ago, and I learned from it. What I should have said is that in BIAB I use the extended chords, because it does make a difference in the sound. When I then make a chart for that song in a notation program, I simplify it and let the pianist and guitarist do their thing.
My original request was more about keying in other people's charts from fakebooks.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Presonus 192 & Faderport 8, Royer 121, Slate VSX, Adam Sub8 & Neumann 120 monitors.
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Joined: Mar 2021
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Newbie
Joined: Mar 2021
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I encountered this "feature" on my second BIAB tune. maj7#11 isn't rocket science. So I entered maj9#11 as recommended. On playback all I get is maj9, no #11 even though it's specified in the chord. Kinda undermines my confidence in the program. What's next?
Last edited by buduranus2; 03/26/21 01:39 PM. Reason: new information
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Band-in-a-Box Wishlist
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Oh my, a twelve year gap. Welcome.
And yes, keying in Maj7#11 is not supported. However, I hear the #11 when I write it. Some simpler RealTracks may not have a recording by the artist of that extension.
If it’s a MIDI track, you should certainly hear the #11. If it’s a RealTrack or two, like piano and guitar, please tell us the RealTrack #s so we can test it.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Presonus 192 & Faderport 8, Royer 121, Slate VSX, Adam Sub8 & Neumann 120 monitors.
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
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Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
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