Band-in-a-Box® 2019 for Windows® User's Guide
It’s fun to play music with Band-in-a-Box, but it’s even more fun to make songs of your own. This section gives you step-by-step instructions from start to finish.
Click on the [New] button if you need to blank the Chord Sheet.
Enter the title of the song by clicking in the title area and typing in the name.
You can use the special operators “tk” and “tr” to set or transpose a key signature.
Typing tkc plus the Enter key will set the key of the song to C. Typing tkbb sets it to Bb. Note that this sets the key signature but does not transpose the song.
The “tr” operator sets the key signature and transposes the song. Typing trf and pressing Enter would transpose the song to the key of F, typing trab would transpose the song to Ab.
Another way to set a key signature is to click on the [Key] button and choose the key of your song from the lists of all major and minor keys. If you select from the “Transpose and Set Key Signature” column the song will be transposed to the new key signature you choose.
If you select from the “Just Set Key Signature (no transpose)” column, the key signature will be changed but the song will not be transposed.
You can have multiple keys in a song by changing the key signature in the Edit Settings for bar dialog (F5 function key). The new key signature is shown on notation.
The tempo is displayed next to the key signature. You can quickly enter a specific tempo for the song by typing the letter “t” together with the tempo and pressing the Enter key. For example, type t140 and Enter to set the tempo of the song to 140.
Click on the tempo box (hot key is Ctrl+Alt+T, or menu item Edit | Tempo | Set Tempo…), and a dialog will open up allowing you to type in a tempo.
When choosing File | New the tempo will be set to the best tempo for the current style. Click the mouse on the arrow buttons to adjust the tempo up or down.
- LEFT mouse click to change by 5 beats per minute at a time.
- RIGHT mouse click to change by 1 beat per minute at a time.
Setting the Relative Tempo
This button allows you to quickly set the relative tempo. Click the button and choose a percentage or use the Custom Tempo % menu item to set any value between 1% and 800%. 1% would be 1/100 of the original tempo and 800% would be 8 times the original tempo. Hot keys are available: Ctrl - (minus key) for half speed and Ctrl = for normal speed.
Tap the Tempo
Not sure of the tempo for your song? Tap it in real time on either the minus [-] key or the equals [=] key on your computer keyboard. Four taps on the minus key sets the tempo, four taps on the equals key sets the tempo and starts the song playing. As you tap more than 4 times, the accuracy will improve (through averaging) and you can continue to tap until the target tempo has been reached. For example, in a 4/4/ style, once you tap 4 times a tempo will be set. But you can keep tapping and the tempo will change every beat, based on the average tempo that you have typed. You can also click the mouse on the on-screen [-] and [=] buttons to the right of the tempo box.
Framing a song designates the first and last bars of each chorus and the number of choruses Band-in-a-Box will play before playing the standard 2-bar ending.
You can type special words to set the beginning and end of the chorus, and the end of the song.
begin + Enter
sets the beginning of the chorus to the current bar
chorusend + Enter
sets the end of the chorus to the current bar
end + Enter
sets the end of the song to the current bar
Another option is to right-click a bar in the Chord Sheet to set it as the beginning or end of the chorus or the end of the song from the settings in the context menu.
For this song, bar one is the first bar of the chorus and bar 32 is the last bar of the chorus. The chorus will play three times, jumping to the two-bar ending the third time through.
With the checkbox on the [Loop] button enabled the entire song will keep repeating until stopped. (This is a different feature from “LoopSection,” which loops a selected section of the song.)
The “FakeSheet” checkbox is for a fake sheet style of Chord Sheet display with 1st and 2nd endings and repeats.
The [Song Settings] button opens the Song Settings dialog for additional settings such as endings, tags, style variations, pushes, rests, and chord embellishments to make your song interesting and varied.
You can also use the Ctrl+N keys or the Edit | Song Form | Settings (for This Song) menu command to open this dialog.
This button opens a dialog where the song’s title and its main settings can be typed in. These settings are usually made in the main screen title window.
This buttons opens the Edit Settings for Current Bar dialog.
This button opens the Chord Options dialog where you can edit chords and add rests and pushes.
These are additional song settings that are saved with the song.
Vary Style in Middle Choruses
If set to “Yes,” the song will play in substyle “b” throughout the Middle Choruses. The Middle Choruses are considered all choruses except the first and last ones. For example, in the Jazz Swing Style, since the “b” substyle is Swing, all of the middle choruses will have swing bass, whereas the “a” substyle is playing half notes on the bass. If set to “No” the middle choruses will play A and B substyles exactly as they appear in the song as outlined by the part markers.
Allow Pushes in Middle Choruses
This is most frequently used if there are pushes in a song (indicated by the “^” symbol), but you don’t want these pushes to play in the middle choruses. Simply set the checkbox to “No” (disabled) and the pushes will be ignored in the middle choruses. This is to allow for uninterrupted soloing choruses.
Allow Rests in First/Middle/Last Chorus
These parameters allow you to decide which choruses will play any rests that are present in a song (indicated by the “.” symbol). For example, you may have put rests into a song but don’t want the rests to play in the middle choruses, since you are using them for soloing: simply set the ALLOW RESTS IN MIDDLE CHORUSES checkbox to “No” (off).
Allow Pedal Bass in Middle Choruses
This determines whether Pedal Bass effect will be allowed in middle choruses.
Force Song to Simple Arrangement (non-embellished)
You can set the whole song to use “Simpler” RealTracks with this setting, as long as the RealTracks you are using have the simple option available. This is shown by a “y” in the RealTracks’s “Simpler Available” column. The “Simpler” RealTracks play a less busy, less embellished arrangement.
A tag (also referred to as a coda) is a group of bars that are played in the very last chorus of a song. If you select the “Tag Exists?” check box then the tag will play during the last chorus of the song. After the bar you specify as the “Tag Jump After Bar #” the song jumps to the “Tag Begin At Bar #” and plays through the “Tag Ends After Bar #” and then plays a 2 bar ending as usual.
Band-in-a-Box will optionally create a 2-bar ending for your song, the standard ending is 2 bars appended to the end of the song. The “Use 4 Bar ending for RealTracks” option allows extra time for the natural decay of the instruments. The “Start the ending 2 bars early” option gives you an alternative to end the song on the last bar of the song. Band-in-a-Box will still play an ending on the chord that you specify, and the ending will occur as a 2-bar phrase beginning 2 bars before the end of the form. This results in more natural endings for many songs.
Song endings can be turned off for all songs, or on a song by song basis. For example, you might want to have your own custom ending that ends the song on the 3rd beat of a bar by playing a shot. To turn the song ending off for a “single song,” set the “Generate 2 bar Ending for this song” checkbox to off (cleared). To turn song endings off for “all songs,” choose Options | Preferences and press the [Arrange] button to open the Arrangement Options dialog. Then, set the “Allow any Endings” checkbox to off (cleared).
You can quickly choose a fadeout ending, just press the [Fade] button, and Band- in-a-Box will fadeout the last “x” bars of the song (you can specify how many bars). Or customize the fadeout with precise values for each bar.
RealTracks options for this song only set the RealTracks options for the song without changing the global RealTracks settings.
Solos should have a ‘bluesy’ feel
When set, any soloist or RealTracks background soloist, will treat any major triad (C, F, etc.) like a dominant seventh (C7, F7) and use flatted 7th for soloing.
Allow RealTracks substitutions based on tempo
When set, the program will find the best RealTracks to use at the current tempo. For example, it might substitute an acoustic bass recorded at a higher tempo, closer to the tempo of your song. The RealTracks name will appear on the main screen with a tilde (~) to indicate the substitution.
Allow RealTracks Shots, Holds and Pushes
When set (recommended), Band-in-a-Box will create realistic shots, holds, and pushes in your song. If unchecked, Band-in-a-Box will simulate a shot. Not all styles have these available. Check the RealTracks\Library\Holds folder and the RealTracks Picker “Holds” column listing the set number.
Allow RealTracks Half-time/Double-time
When set, this song will allow RealTracks to play at half time (twice the usual tempo) or double time (half the usual tempo). This allows you, for example in a ballad at a tempo of 70, to add a RealTracks Sax solo with a tempo of 140 and play it as a double time, which will match the ballad tempo of 70.
Ignore Slash Root of Slash Chords (eg C/E) except Bass Track
If this is set, the RealTracks other than the Bass track will not play the slash root of chords. For example, the RealTracks will play C instead of C/E.
Avoid transpositions in RealTracks
If this is set, RealTracks will try not to transpose. This will result in better quality, but less variety in the arrangement.
If you give a pro musician a complicated chord progression with fancy extensions like C7b9b13 or Gm11, the musician may reinterpret these rather than playing them exactly as written. This can achieve a much better sounding arrangement because the musician has freedom to choose from similar chord extensions. You can get Band-in-a-Box to do the same thing with this option for all tracks in the current song. (Note: To set this feature for all tracks in all songs, use the option in the Arrangement Options dialog. To set this for specific track(s) in the current song, right-click on the track radio button, go to Track Settings | Set Natural Arrangement, and select an option.)
Sections on a new line (for this song) is an option to enable/disable the section paragraphs feature for this particular song.
Allow Style Aliases (auto-substitution of style) for this song
If this is set, and Auto-replace MIDI styles with RealTracks styles when songs loaded is checked on the RealTracks toolbar menu, then auto-substitution with a RealStyle is allowed.
This song has playback problems, disable Fast Generation
On slower computers, songs with lots of RealTracks might have playback problems (stuttering). If so, you can use this setting to disable Fast Generation for this song. You can turn Fast Generation off for all songs in the RealTracks Settings dialog by unchecking the setting “Speed up generation of RealTracks (disable on slow machines).”
Volume Boost (this song only) in dB
The volume of any particular song can be boosted or cut by typing in the number of decibels. A change of 6dB is about the same as moving a MIDI volume control by a value of 32.
Transpose audio track by _ semitones
If this option is enabled, the Audio track and any Artist Performance tracks will be transposed (pitch stretched) by the amount entered here.
- The most common way of entering the chords for a song in Band-in-a-Box is by typing them in from the computer keyboard. Up to 4 chords per bar may be entered.
- Chords are commonly typed-in using standard chord symbols (like C or Fm7 or Bb7 or Bb13#9/E), but you can enter them in any of the supported chord symbol display formats - Roman Numerals, Nashville Notation, Solfeggio, and Fixed Do.
- To start typing in chords:
- Go to the top (Bar 1) of the Chord Sheet. The Home key will go directly there.
- Blank the Chord Sheet (if necessary) by clicking on the [New] button.
This is the chord highlight cell. Chords will be entered wherever this is placed. You may move this around by cursor arrow keys, the Enter key, or a mouse pointer click.
The chord highlight bar moves 2 beats at a time (½ a bar). When you have the chord highlight cell over the area that you want to enter a chord, you simply type the name of
the chord you would like to see there.
For example, type c6 to get the C6 chord. Note that you should never have to use the Shift key, as Band-in-a-Box will sort this out for you.
- Use b for a flat, e.g. Ab7.
- Use 3 for a sharp #, e.g. for F#7 type f37.
- Use / for slash chords with alternate roots, e.g. C7/E (C7 w/E bass). A chord like Gm7b5/Db will display correctly using a Db instead of a Gm7b5/C#, since Band-in-a-Box bases it on a Gm scale.
- Use a comma to separate the ½ bar, enabling you to enter 2 chords in a cell. In the example below, we would type Ab9,G9 to get the 2 chords in the cell on beat 3 and 4 of bar 2.
- The sequence of keystrokes to enter all these chords above would be:
- HOME c6>am7>dm7>ab9,g9>c6/e>>a739
A setting in the Display Options (Options | Preferences | [Display]) for “11th chords” allows display of ‘9sus’ chords as ‘11’ (e.g., Bb11 instead of Bb9sus). This only affects how the chord is displayed, not how it is stored, and you can type either C11 or C9sus to enter the same chord.
The “Display ‘2’ as ‘sus2’” and “Display ‘sus’ as ‘sus4’” settings in the Display Options dialog will show suspended chords more explicitly: ‘sus’ implies ‘sus4,’ and ‘2’ implies ‘sus2,’ but you might want to see the full extension name.
Right-click on a chord, and a menu allows you to make edits to the chords and other song settings.
You can cut, copy, and paste chords in the Chord Sheet. Use the Chord Builder to try different types of chords or play the current chord to hear how it sounds.
Use the Bar Settings to make changes at a given bar, and Song Settings to make overall settings for the song.
Bar-Based Section Letters lets you add a section letter, which will display just above the bar number on the Chord Sheet.
You can also enter chords from an external MIDI keyboard using the Window | MIDI chord detection… feature. Play the chord on the keyboard, then press Ctrl+Enter to insert the chord into the Chord Sheet on the first beat of the current chord cell, i.e., beat 1 or beat 3 of the bar. Use Ctrl+Shift+Enter to insert the chord on the next beat, i.e., beat 2 or beat 4 of the bar.
Easily import part or all of an existing Band-in-a-Box song to your current song, with options to specify source and destination range, type of information to import (chords, melody, lyrics, etc.) and more. Choose File | Import | Import MGU Song.
In the Import Band-in-a-Box Song dialog, choose the range that you want to import (Import from Bar and # of bars), and the destination bar (Import to Bar). You can also choose which information to import, and the insert mode (Insert/Overwrite).
This feature analyzes a WAV, WMA, MP3, WMV, or CDA audio file and imports it to Band-in-a-Box. The Audio Chord Wizard is fully described in the Tutors, Wizards, and Fun chapter. It works out the tempo, bar lines, and chord changes so you can easily make your favorite files into Band-in-a-Box songs.
Copying of sections or selections can be done using drag-and-drop, to drag regions around the Chord Sheet to quickly rearrange your song. Hold down the Ctrl key for finer control about insert/overwrite etc.
For example, if you have an 8-bar section at bar 9:
To copy it to bar 23 and insert the 8 bars at that location, drag the bar # and drop it at bar 23.
To copy it to bar 23 and OVERWRITE the 8 bars at that location, hold down the Ctrl key and drag the bar # and drop it at bar 23. In the dialog that appears, just press OK.
Another way to copy chords is to launch the Copy Chords and/or melody dialog by pressing Alt+C.
This allows you to copy chords/ melody/ soloist/ lyrics for a range of bars by entering the From and To locations and the number of bars to copy. Select the checkboxes for the items you want to include in the copy.
Insert Bars at destination If selected prior to the Copy bars will be inserted onto the Chord Sheet at the destination chosen.
# of times to repeat copy If set to more than one, multiple copies will be made, optionally with transpositions on each copy. These are all applied to the first chorus only.
With each copy, transpose ___ semitones If more than one copy is selected, this will transpose the song with each copy. This is most useful when wanting to learn a short phrase (“riff”) in different keys or modulating a section of a song.
Random # of semitones This will transpose the copy a random transposition and would be useful for advanced students who are trying to master a riff or phrase in all keys.
Copy 1st Chorus to whole song If set, this will apply any of the copying commands in this dialog to all choruses of the song, not just chorus #1.
Copying chords to the clipboard
Select the region to copy. To select a region of the Chord Sheet (or the Notation or Audio Edit window), you can Shift+click on the end point to easily select a large area.
- Click on the starting bar.
- Shift+click on the ending bar.
Another way to select a region is by dragging the mouse over it. Place the mouse cursor at the bar to begin the selection. Then, holding down the left mouse button, drag the mouse over the region. As you do this you will see that the region will be inverted (white characters on a black background). When you have selected the proper region of chords to copy, then
- copy the selected (blackened) region to the clipboard
- click on the Copy button or choose Copy from the Edit menu.
Pasting chords to another section of the Chord Sheet
Assuming that you have already copied some chords to the clipboard you then paste them into the Chord Sheet by:
1. Move the highlight cell to the bar to begin the paste of chords.
2. Click on the Paste button or choose Paste from the Edit menu.
Copy, Repeat X times, with Transpose
The Edit | Copy Special | Copy From.. To.. menu commandopens the Copy Chords and/or melody dialog, which has additional fields allowing you to define the number of times to repeat each copy and define the number of semitones you transpose. For example, you could have a 16-bar section, copy it 3 times with a semitone transpose each time. Or, take a single 4 bar phrase, and copy it 11 times, transposing up a 4th each time, generating the same 4 bar phrase in all 12 keys.
The chords at the current location of the highlight cell are cleared by the Delete key, the Windows® “Cut” command, or by typing a comma and pressing Enter.
Deletion of chords over a range of bars can be done by selecting the range and pressing the Delete key on your computer keyboard. No confirmation dialog is required.
This feature allows you to hear chords as you to type them in. After you type a chord name onto the Chord Sheet (or the Notation window), press the Shift+Enter keys. This enters the chord onto the Chord Sheet and then plays the chord for you, using the patches on the Piano part and Bass Part. You can also listen to a chord that has already been entered, by just pressing the Shift+Enter keys after moving the highlight cell to the bar with the chord you want to hear. If there is no chord entered at a bar, you will hear the last chord that was entered.
You can right-mouse click on the Chord Sheet and choose Chord Settings to launch the Chord Options dialog, and then press the [Preview] button to hear the current chord in the Chord Options Dialog.
The [Previous Bar] and [Next Bar] buttons lets you go through the entire Chord Sheet without leaving the dialog.
The [Clear All Bars] button erases all Rests/Shots/Pushes/Pedal Bass from a song.
The [Clear Bar] button erases all Rests/Shots/Pushes/Pedal Bass from the current bar.
You can enter or display chords in Roman Numeral notation, Nashville notation, Solfeggio, or Fixed Do notation.
For example, the chord Gm7 in the key of F would be displayed as IIm7 in Roman Numeral Notation, 2m7 in Nashville Notation, and Rem7 in Solfeggio.
“Fixed Do” Notation
In Italy and other parts of Europe, chords like C7 are always referred to by the Solfeggio name (“Do 7” for C7) regardless of the key signature. These systems are very useful for learning or analyzing tunes, since they are independent of the key signature.
You can take an existing song, and print it out in Roman numeral notation, so you can study the chord progression. You can also type a chord in these systems, like “4” which will enter the 4 chord in the current key.
Click on the [Chord Display] toolbar button and Choose type of Chord Display from the menu. A yellow message box will confirm your selection.
The Roman numeral and other nonstandard displays use superscript for the chord display when in the Notation window (or when printing out). Therefore, the alternative chord symbol displays are best viewed in the Notation window.
There is an option to display the non-standard chord above the standard chord on the Chord Sheet.
Press the [Chord Display] button, go to Layers | Additional Chord Display, and choose from the list of four options.
In the Edit menu, the Nudge Chords/ Melody feature allows moving a range of chords by a number of bars/beats.
For example, let’s say that you have entered a complete song chord progression, and you then realize that all of the chords starting at bar 23 are 1 beat too late (maybe due to a time signature change). You can move all of the chords 1 beat earlier, by setting the nudge at bar 23, beat 1, and duration of the nudge to -1 (minus 1) beats.
You can nudge chords and/or Melody/Soloist parts.
A Search/Replace Chords feature will search and replace chords, including support for asterisks (*) as wildcards. Search and Replace can be used with Roman numerals or numbers for chord names. So, you can replace the V chord with V7, or the 5m chord to 5m7.
Since these are remembered between songs, this feature is useful if you are changing multiple songs.
The [Simpler Jazz] option will simplify chords like C13#11#5 to simply C9.
Breaks are points in a song when one or more of the instruments rests, plays a shot, or holds a chord.
- Rests specify any, some, or all instruments to rest at any bar. For example, you could rest all instruments except the bass for the first 4 bars, and then add the piano for 4 bars, and then add the entire band for the rest of the song. You may optionally disable the rests in the middle or final choruses (e.g., where you would likely have a solo, and rests may not be appropriate).
- Shots specify certain instruments play a “shot,” where the chord is played and then a rest follows. For example, the song “Rock Around the Clock” has a shot on beat 1 followed by a rest for 2 bars. The duration of “shots” is 60 ticks per beat.
- Held chords specify that certain instruments hold a chord sustained for a certain number of bars. For example, you can have the bass and piano hold a chord sustained while the drums continue to play a pattern.
A chord can be specified as a REST by adding a period after the chord.
indicates a C chord that is a REST.
indicates a C chord that is a SHOT.
indicates a C chord that is a HELD CHORD.
Selecting BREAKS for different instruments.
You can specify that some instruments not be affected by the rhythm break.
The coded names for the instruments are:
B for Bass, D for Drums, P for Piano, G for Guitar, and S for Strings.
To type a rest for all instruments on a C chord type C.
To exempt instruments, add their letters following the break. For example,
C.bd will put a rest on all instruments EXCEPT the bass and drums.
To indicate a held chord for all instruments except the piano, type C...p
Breaks can also be set in the Chord Options dialog.
Chord options include rests, pushes, and pedal bass. The Chord Options dialog opens with the C7 toolbar button, or from the right-click contextual menu in the Chord Sheet.
When a “shot” or a “held” chord is assigned, the instruments that are excluded from the shot/held chord play normally.
There is an additional option for those excluded instruments to stay silent. To set this, select a shot or held chord and enable the “Excluded instrument(s) should rest” option. This option gives you the ability to rest some instruments while others play the shot or held chord.
Other settings for how chords play are in the Edit menu. You can choose Edit | Song Form | Settings (for This Song) to open the Song Settings dialog and set the rests (breaks) to happen only in the first, middle, or last choruses. There are also settings to allow pushes, pedal bass, and chord embellishment.
“Pushes” (also called anticipations) are chords that are played before the beat. For example, in Jazz Swing music, the piano player often “pushes” a chord change by playing the chord an eighth note before the beat. To execute a “push,” you can use either keystrokes or open the Chord Options dialog by right mouse clicking on a given chord.
To use keystrokes:
Type the caret symbol [^] before the chord. The caret symbol is located above the numeral 6 on your computer keyboard.
Type a single caret to get a chord an eighth note before the beat, e.g., ^C7
Type a double caret to get a chord a sixteenth note before the beat, e.g., ^^C7
In Jazz styles (and other triplet feels), the chord will be pushed by a triplet, regardless of whether there is a single or double caret (^^).
Velocity Boosts for Pushes, Shots, and Held Chords
You can set the amount of velocity boost, so that the effect won’t be too loud. In the Preferences dialog (Options | Preferences) click on the [Arrange] button to open the Arrangement Options dialog. Then type in the amount of velocity boost for pushes, shots, and holds.
The style can override the velocity for the pushes, and drum velocity for shots, held chords, and pushes is also set in the StyleMaker.
For this tutorial, we will be using demos from the “Tutorial - Repeats and Endings” folder.
Load in the Song “Miles1 Tutorial (no repeats yet)” from the Tutorial – Repeats and Endings folder. You will see that this is a 1-32 bar form.
There are no repeats and endings entered for this song. We will be adding them now.
When you load in a song, you will notice some “Form Marker” features that happen for any Band-in-a-Box song.
Repeat symbols are drawn at the beginning and end of the entire form (bars 1, 32 in this song) and “end” is written on bar 33, which is the ending.
Bars past the end of the song are colored gray.
These form markers are present for every song, unless you disable them by Preferences | Display. These are not the type of repeats/endings we’re referring to here however. The repeats/endings we are talking about now occur during the form, and are the 1st/2nd endings, DS al Coda and other repeat types that you see on a typical lead sheet.
So, in our song “Miles1 Tutorial (no repeats yet),” we can have a look at it and see if there are any repeats/endings.
It appears from looking at the Chord Sheet that this 32-bar form consists of two 16 bar sections, with a 1st ending at bar 9, and a 2nd ending at bar 25.
So now we’d like Band-in-a-Box to display it like that, with the first and second ending markings.
Since we want to insert the 1st/2nd ending on bar 9, we right-click on the Chord Sheet on bar 9 and select Repeats/Codas/1st-2nd Endings.
We then see the Edit Repeats and Endings dialog.
Click on the 1st/2nd endings radio button and enter the following.
- Repeat begins at bar 1.
- 1st ending begins at bar 9.
- 1st ending lasts for 8 bars.
- Type of Repeat/Ending = 1st/2nd endings.
By entering this data we’ve defined the complete 1st and 2nd ending. If the 1st ending begins at bar 9 and lasts for 8 bars, the 2nd ending must begin at bar 17+8=25 (there’s an 8-bar repeated section from bar 1 to 8).
Now, this was a pre-existing song, and it already has all of the bars laid out. So, we make sure that we don’t select the “Generate (insert) new bars” checkbox.
Click on [OK-Make Repeat], and the repeat gets made, and the Chord Sheet redraws with the 1st/2ndrepeat showing.
Make sure you have Fake Sheet mode selected on the Chord Sheet.
As you can see there is a 1st ending at bar 9. At bar 16 there is a repeat symbol, indicating that the form goes back to bar 1 for 8 bars, and then will go to the bar after bar 16 for the 2nd ending. The 2nd ending is marked there. The bar # is 25, because the bars are numbered in linear fashion, and it is the 25th bar of the song as it would be played. Then the song goes to the end, which is bar 32.
Now we can see a LINEAR view of the same song, similar to the way it was before we put the 1st/2nd endings on it. To do this, deselect the Fake Sheet checkbox on the main page. You will then see the song like this.
This shows all of the 32 bars, including the bars that are part of the repeat – these are highlighted in gray. Exposing these bars shows the linear view of the song, the way the song would be played. It also allows you to enter custom information for any of the bars, including the bars in the “gray area.” For example, if you wanted the chord at bar 21 to be an Em9 instead of an Em7, just type it in, even though it’s in the repeated section leading to the 2nd ending.
You can toggle between the 2 views for the traditional lead sheet view with the Fake Sheet mode, and the “normal” (linear) view with Fake Sheet mode OFF.
The List of Repeats/Endings allows you to manage the repeats/endings that have been entered.
Delete/ Append/ Insert a repeat or ending using this list, which opens with the [Edit List] button in the Edit Repeats and Endings dialog.
Part Markers are placed on the Chord Sheet to indicate a new part of the song, to insert a substyle change, or to insert drum fills. They typically occur every 8 bars or so but may be placed at the beginning of any bar.
You can customize the display of the part markers in the Display Options dialog. For example, you can pick a color for each part marker, draw part marker borders, show each part marker on the new line, etc.
Band-in-a-Box MultiStyles are styles that can have up to 24 substyles; original Band-in-a-Box styles had two substyles, “a” and “b.” Band-in-a-Box MultiStyles typically have four substyles, but may have up to twenty-four, selected by using part markers “a” through “x.”
You can easily make your own MultiStyles, either from scratch, or combining parts from existing styles to make a MultiStyle. For example, if you have 10 favorite Country styles, you can quickly make a single MultiStyle that has 20 substyles available within the same song.
You can store names for MultiStyle substyles with a description of each one.
The MultiStyle names are set in the StyleMaker Miscellaneous dialog. If the style is a MultiStyle, you can right-click on a bar number to see them.
Each style has “a” and “b” substyles. Band-in-a-Box Multistyles also have “c” and “d” substyles and could have from “a” to “x” for a total of up to twenty-four.
Most of these MultiStyles that we’ve made have 4 substyles, conforming to the following pop song format.
Substyle “a” is usually used for the verse of a song.
Substyle “b” is usually used for the “b-section” or the chorus, and for soloing in the middle choruses.
Substyle “c” is usually used for the intro or for an opening verse or pre-verse.
Substyle “d” is usually used for a break or interlude.
You can see the MultiStyle markers on the Chord Sheet.
There is always a part marker at bar 1 so that Band-in-a-Box knows which substyle to begin with. The song continues to play in one substyle until it encounters a new part marker. The substyle will change automatically on second choruses when the “Vary Style in Middle Choruses” song setting is selected.
- Move the highlight cell to the bar where you want to place the part market. Then press the P key on the computer keyboard. Repeatedly pressing P scrolls through all available part markers,
- Position the mouse cursor directly over the bar line (or an existing part marker). Then, click the left mouse button. Repeat this procedure to scroll through the available options.
- To remove a part marker, keep pressing P or clicking the mouse until you reach the end of the available part markers and there is no marker on the bar number.
You can drag a part marker to copy it to other bars.
A one bar drum fill will occur in the bar preceding a part marker. If you want a drum fill at bar 7 of a song, you insert a part marker on the bar after the bar with the drum fill (i.e. Bar 8). You can either retain the original substyle or change the substyle (a, b, c, d, etc.) when you place the part marker.
When you’re reading a book, a new section begins on a new line, with space between. Band-in-a-Box does that for chords too. Whenever a new section occurs (a part marker), we start the new section on a new line and draw a grey line above to clearly mark the new section. You will see each section on a new line so that the form of the song is easier to see.
For example, if you have a song with a 7-bar section, followed by 8-bar sections, earlier versions of Band-in-a-Box wouldn’t start the other sections on a new line. The result was that it was hard to delineate the sections, as if an entire story was told within one paragraph.
With the Section Paragraphs feature, you will see each section on a new line so that the form of the lead sheet is easier to see. Sections can be as short as 2 bars.
The feature is configurable and optional with the “New line for every section” setting in the Display Options dialog (Options | Preferences [Display] button). You can also set the minimum number of bars that is required to start a new line with the “minimum section” setting. For example, if this is set to 8, then there won’t be a new line for the next part marker if that section has only 4 bars.
The Song Form Maker allows you to define sections of a song (A, B, C etc.), and then rearrange the song by simply typing the form you want (e.g. AABABAACA). You can revisit the dialog to change the form at any time.
Press the [Song Form] button and select Song Form Dialog from the menu. You will then see the Song Form Maker dialog.
Then define your sections (e.g. A = bars 1 for 8 bars, B=start at bar 17, for 8 bars C=start at bar 25, for 4 bars). Then type the form that you want (AABACABA).
Select [OK-Generate Form] then exit the dialog. The form string and sections are saved with the song.
You can revisit this dialog to re-order the sections. Or change a chord in the “A” section of the Chord Sheet, and then use the Song Form Maker to propagate the changes through all of the “A” sections.
Use the [Undo] button to reverse your changes.
Uses for the Song Form Maker
- Enter a song by simply entering each section once, and then visit the Song Form Maker, typing the form that you want and generating it. Change the form without having to type in new chords, just redo the Form String (“AABACABA etc.)
- Change chords in each section by simply changing the chord in the main section, and then regenerate the form.
- Enter a melody once and copy it throughout the form by regenerating the form.
There are many styles available for use with the Band-in-a-Box program. Styles refer to styles of music like Jazz Swing, Latin, Blues, Pop, Rock, or Country. You can pick a musical style either before or after you have entered the chords to a song. Once a style is loaded, the song will be played back using your chosen style. All style files have the .STY extension. In the Chord Sheet or the Notation window you can quick-load a style by typing only “style” followed by a style name, e.g., stylezzbossa<Enter> will load in zzbossa.sty.
When a requested style is not found, Band-in-a-Box makes an intelligent substitution.
This feature is available for every style that PG Music has made, and also can be customized by third-party or any users by making a text file (*.NA) with suggested alternative styles.
This function, analogous to the Load Next Song function, loads in the previous (or next) style in alphabetical order of the file name. These functions are found in the Styles menu or use the hot keys Ctrl+Alt+Shift+F8 (or Alt+Shift+F8).
The name of the current style is shown in the window below the song title.
There is a convenient “Load Song Demo” option for style demos. Click on the name of the style on the main screen, and the menu that displays will include the option to “Load Song Demo” for the current style.
This menu also offers options for choosing a style for your song. Change style at any bar inserts a style change at the currently highlighted bar on the Chord Sheet. Open Style from disk is for selecting styles from file folders. Choose Favorite Style opens either a list of pre-selected favorites, or a list of recently played styles. Browse styles with info opens the StylePicker window, which has full style information.
You can open a style using the [Style] button. This is a split button, with the top half being the default function, and the bottom half listing different methods to load a style and allows you to set the default.
The StylePicker window is opened by pressing the [Style] button or the Ctrl+F9 keys. It lists all of the styles that are present in the C:\bb\Styles folder. The StylePicker window has a great filter feature for finding a perfect style for your song by selecting elements such as time signature, feel, or tempo or by simply typing in a familiar song title.
You can browse styles by sorting columns or hear an “instant” preview of the style by double-clicking on the list. If style has both MIDI and RealDrums available, you can hear both, and choose which one you want. This makes it much faster to find the style that fits your song.
If the style list needs rebuild when you open the StylePicker, it tells you that in the progress bar above the list.
While the style list is being rebuilt, you can see the progress in the progress bar.
Just type in a familiar song title, artist name, or genre of music, and the StylePicker will filter the list by the genre, feel, tempo, and time signature of that song title.
Let’s find a style that is similar to the song “Amazing Grace.” Type in “amazing,” click on a song to select it, and press [Enter].
This is an even 8th folk song with 3/4 time signature, and the list will be filtered to show styles that match these elements. You can see what filters are in place when you look at the “Style Filter by:” area.
Another easy way to find a style is using the text filter. For example, if you want to find punk styles, simply type “punk” and the list will be filtered to show punk styles. If there is a RealTracks musician that you want to check out, just type in his name, and the list will show styles with that musician in them.
You can also use the arrow button to select a category, time signature, feel, etc., and you will immediately see the filtered list.
Category - This lets you filter styles by a genre or category.
TimeSig - This allows you to filter styles by the time signature.
Feel - This sorts the list by feel (even 8th, swing 8th, even 16th or swing 16th).
Tempo - This sorts the list by the tempo.
Type - With this button, you can choose to display Real and/or MIDI styles. The default is to display Real styles first and MIDI styles at the bottom, but you can change the default selection with the last menu item.
Other - This is a miscellaneous filter. For example, the list can be filtered to show only your favorite styles, styles that use a specific RealTrack, or styles with soloists.
If “Include Similar” is unchecked, then the filtered list will show the exact match only, but if this option is checked, then the list will show the exact match and the similar styles. The [Clear] button will clear any filter so all styles will display.
Automatic intelligent sorting of “best style” for the current song
The StylePicker tells you how the list is currently sorted.
Instant Preview of Styles
You can audition a style without changing your existing arrangement, by using the preview control.
It has Play and Stop buttons, a progress bar, a Loop button and a file button.
Also, when the control is playing, if there are 2 files that can be played, there is a toggle button displayed. This appears for previewing MIDI styles, because there are MIDI drums and RealDrums available for most MIDI styles, and now you can easily hear both.
To hear a preview, simply double-click on a style name in the list. Or highlight a style and press this button.
The demos are pre-made, so they play instantly. And they are a good idea of what the style is supposed to sound like.
The style demos are found in 2 possible places:
1. On your hard drive, in the Data\Style Demos Audio folder of your RealTracks folder, usually C:\bb\RealTracks\Data\Style Demos Audio (some of the demos are included on disk, but to save space not all of them are included).
2. On the Internet, at www.pgmusic.com (all of the demos are there).
When you demo a style, the program will play the version on disk if available; otherwise will play from the Internet. The style demos sometimes play files from the internet. You can download a file that is being played from the internet by clicking this button. If the file is being played on your hard drive, this button will show the file in a folder.
This button allows you to control the volume of demos.
Play Your Song with the Styles
You can also audition a style by actually playing it over the current chord progression of your song.
The [Play] button will generate arrangement for your song with the currently highlighted style. The [Stop] button will stop playback.
You can speed up the generation if you enable this option, which will play only for the first 4 bars.
The ideal tempo for the style is shown here but you can change it to any tempo by typing in the number or clicking on the [+] and [-] buttons. You can even change it during playback.
This will open the pre-made demo song for the currently selected style.
Sortable and sizable columns
The styles list can be easily sorted by clicking on a column name. Clicking again will reverse the order. You can also resize the column width by dragging a column border.
Each column provides following information for the style.
Name : This column shows the file name of the style.
Type : This column tells you whether the style has RealTracks only (“R”), MIDI only (“M”), or a combination of RealTracks & MIDI (“RM”)
TSig : This column shows a time signature (4/4, 3/4, etc.) of the style.
EvSw : The “ev” or “sw” indicates whether the style plays in an even feel or a swing feel.
Tempo : The tempo shown here is the tempo set in the style.
Long Name : This column shows the full name of the style.
Genre : This column shows the genre of the style.
Group : The styles are grouped into three groups: Pop, Jazz, and Country.
Date : This column shows the date when the style was made.
Set # : In this column, you can see which set includes the style.
# Instr : This column shows the number of instruments that are present in the style.
# Substyles : A style can contain as many as 24 substyles.
Other Genres : This column suggests additional genres of the style.
The mixer-like control shows what tracks and instruments are used in the currently selected style in the list, and color-codes them according to the track types (MIDI, MIDI SuperTracks, or RealTracks).
For each track, there is a menu button, which allows you to change the instrument, disable/enable the track, or perform other track actions. Previously, you had to close to the StylePicker window to do these.
When the track is customized, an asterisk will be added to the name.
When the “Custom” option is checked, the tracks of the currently selected style will be overridden with the choices you have made.
The [Clear] button will clear any customized settings.
Press the [Save as .STY] button to save the style that you have customized. When you save the style, it will be added to the StylePicker list.
This area shows additional information about the style. You can see instruments, artists, a brief description, and song examples currently selected style. If the style has Loops or UserTracks, you will see the names of the Loops or UserTracks.
Clicking on this button shows you a menu with options to select/create User Category, add the current style to the User Category, set styles as a favorite, etc. These options are also available when you right-click on the list.
Mark as Prototype, and sort by Similar Styles to
This menu item will sort and filer the list by best to worst match of the prototype’s tempo, feel, genre, time signature, and more. Once you do this, the sort status indicator will tell you that the sort is by prototype.
For example, if you choose _BUBLPOP as the prototype style, the list will be sorted with styles most similar to _BUBLPOP. These are the styles with a similar genre, feel, tempo, and time signature. Here is an example of the results of setting _BUBLPOP as the prototype.
Select/Create User Category
Unlimited User Categories can be created by users or third parties, to list their styles in the StylePicker.
To select an existing User Category, choose Select/Create User Category. When the dialog opens, select a category and press the [OK] button.
To make your own User Category, right-click on the list, choose Select/Create User Category, and when the Choose User Category to display in StylePicker dialog opens, press the [Create New Category] button.
Type a name for your category and click on the [Save] button.
You can also enter a memo for your category.
You can re-arrange this folder by creating subfolders and moving the categories around to organize them. You can also directly edit the .txt file in this folder.
If you have made any changes to this folder, remember to press the [Refresh] button.
User Categories are analogous to playlists in a song player. You can create/edit them and choose to display only the styles from the category or all styles with the category styles highlighted with a * asterisk.
Add Style to Current User Category
This menu item adds the currently selected style to the current User Category.
Save Current Style list as a User Category
This menu item allows you to create a new User Category and add all the styles currently displaying in the list to the new category.
To display only the styles from the current User Category, click on the [Category] button above the list and select Show this User Category. If you want to see only the styles from another User Category, select Choose and Show User Category and choose a User Category from the list.
You will then see styles from the selected User Category.
Set Style as Favorite
This menu command will set the selected style as a favorite. If the style is already a favorite, you can select the Remove style as a Favorite menu item.
Rebuild of Styles List
Press the [Rebuild] button and select Partial Rebuild of Styles List after you install new styles from PG Music. It takes about 30 seconds to rebuild the list. The Complete Rebuild Styles List menu item will find not only PG Music styles but also new or changed user or third-party styles. It takes longer to rebuild the list.
The Copy List to Clipboard menu item in the [Action] button saves the current list with all information to a tab-delimited .txt file and opens it in Notepad. In Notepad copy all and paste it into a spreadsheet such as an Excel file. You can then apply a hierarchical sorting of the list.
The Reset Dialog to Defaults menu item in the [Action] resets the dialog to default settings.
The Set Dialog Options menu item in the [Action] button opens the StylePicker Options dialog with additional options for the StylePicker.
Preferred listing of styles - This controls the default type of listing of styles (Real and/or MIDI).
Default display should include all styles (available and N/A not available) - If this option is enabled, you will see all styles including N/A ones even when all filters are cleared.
Show current style in list even if it doesn’t match the filter - This setting lets you choose to always show the current style even if it doesn’t match the filter.
Sort Columns in forward and reverse order - If this option is enabled, clicking on a column name again will sort the list in reverse order.
Always Change Tempo to best tempo for style whenever a style is loaded - If this option is checked, pressing the [OK] button in the StylePicker will always change the current tempo to the ideal tempo for the selected style. Note: If the song is “blank” (no chords past bar 5), then the tempo will change, but if the song has chords in more than 5 bars, then the tempo will not change unless this option is enabled.
Change 4-bar Preview tempo to best tempo for style - If this is checked, then when you preview the song, it will be played at the ideal tempo for the style.
Use Internet for Style Audition Demos (if not found on disk) - Enable this option so demos will play files from pgmusic.com using the Internet if demos are not found on disk.
Font Size - This allows you change the font size of the styles list.
[Defaults] - Press this button to set all options to default settings.
The popular Title feature, which allows you to type in the name of a familiar song and find a style with similar feel and tempo, has been enhanced with a dedicated Song Titles Browser
Song Titles Browserwindow. This window allows you to browse and filter the huge list of over 10,000 popular song titles. You can, for example, filter by a certain artist, and then sort all the songs by tempo, key, feel, time signature, and more.
You can open this window by pressing the [Find Titles] button.
If the StylePicker window is not open, you can open the Song Titles Browser window by clicking on the [Style] button and selecting the Choose style from Song Title menu item.
There are Title/Artist/Genre/Key/Tempo/Feel/TimeSig/Decade/Vocals columns. You can sort the list by any column.
You can filter the list by genres, time signature, feel, tempo, decades, and more.
The chord density filter is available. Press the [Other] filter button and select one of the menu items below Filter by Chord Density. For example, you can search titles in which chord changes every 1-4 beats. You can also filter the list by chord complexity. This is scaled by 1 to 10; 1 means simple with few chord changes and 10 means complex with many chord changes. Press the [Other] filter button and select one of the menu items below Filter by Chord Changes.
You can also type a text filter, and the list will be restricted to the songs that contain that keyword.
You can see song titles that will only work with the current style.
Pressing the [style: ] button will filter the list by the genre, time signature, feel, and tempo of the current style. If the checkbox to the left of this button is enabled, then when you open the dialog, the list will be automatically filtered to show song titles that are similar to the current style.
If you do not see a song title you are looking for, press the [Add] button. This will launch your internet browser and open the PG Music forum page where you can request to add the song to the database.
This area shows a summary of the selected song title.
These buttons will launch the internet browser and let you browse for more info for the selected song or listen to the song.
Once you have found a song, press the [OK - Find Matching Styles] button. This will take you to the StylePicker window with styles that best match the tempo, feel, and genre of the selected song title.
Other options in the Style button menu include Recently Used Styles and Favorite Styles. They open a dialog with separate lists of Recently Played and Favorite styles.
You will see “Favorites” and “Recently Played” radio buttons that toggle between lists of recently played styles and your favorite styles.
The favorites list will start off as an empty one. You can add styles as your favorites by clicking the [Add Fav] button. A similar button is found in the StylePicker window.
Use these buttons to navigate the list.
Use these buttons to modify the list.
The [Search] button will search for a style in the list by name, or part of a name.
The [Sort] button sorts the list alphabetically.
You can save and load sets of Favorites or Recently Played styles.
Use the [Clear] button to clear the list and start a new one.
Enable the “Play When Chosen” option have Band-in-a-Box play your song immediately upon selecting a style.
If this is enabled, every style you select will be added to the top of the list.
The Style Aliases selection is found in the File | Load Style Special submenu.
Let’s say you’ve got a new style for Jazz called “Wynt_K.” You can create an alias so that when Band-in-a-Box looks for a Jazz Swing style, it will load in “Wynt_K” instead, so you don’t have to make changes to all your songs. And when you have found a new favorite style, just change the alias. You can also load or save sets of “Alias” files and share them with others.
To type in a style name that you don’t have, use the [Custom] button.
To create a new alias, click on an empty spot (i.e. no alias defined) in the alias list, or click on the alias you wish to edit if you wish to change an existing alias. Press the [Choose] button below the Original style box and select the style you wish to be replaced. Press the [Choose] button below the
Substitution box and select the replacement style (alias).
If you have made a mistake and wish to change your style selection, press the [Clear] button. When you have successfully made an alias, you will notice that there will be a small arrow in the Styles box on the main screen indicating that you have an alias loaded.
You can Export and Import alias files to share with your friends by clicking the [Import] button to open an alias file, or click the [Export] button to save an alias file.
The File | Load Style Special submenu has an item to Enable/Disable the style. When a style is disabled, the name of the style will have an X at the beginning, which indicates a disabled style. The disabled style won’t sound or write any data to the MIDI file. The most common use for disabling a style is when a MIDI file is loaded to the Melody track. Then the style won’t sound and conflict with the full arrangement on the Melody track.
This allows you to keep a style in memory. This way, all subsequent songs that are loaded will not change the style (even if they have a different associated style), so you can easily play songs in the same style. If you’ve found a new favorite style, you can try it out in all kinds of songs without having to reload the style each time.
For example, let’s say we’ve discovered the “GARNER” style, and want to try it out on all kinds of songs. Select File | Load Style Special | OK to load styles with songs so that the item is NOT checked. Now when you load a song the new style doesn’t load and you can play the song in GARNER.STY. You can temporarily override this setting by loading in another style using the [Style] button or the File | Load Style Special menu, and the new style loaded will stay in until you choose another one.
Band-in-a-Box MultiStyles are styles that can have up to 24 substyles; original Band-in-a-Box styles had two substyles, “a” and “b.” Band-in-a-Box MultiStyles typically have four substyles, but may have up to twenty-four, selected by using part markers “a” through “x.”
You can easily make your own MultiStyles, either from scratch, or combining parts from existing styles to make a MultiStyle. For example, if you have 10 favorite Country styles, you can quickly make a single MultiStyle that has 20 substyles available within the same song.
There are 2 types of MultiStyles.
- MultiStyles in styles, working for every song (e.g. NR_CURR+.STY Nashville Rock Current Multistyle).
- MultiStyles for a specific song only.
MultiStyles in Styles (“+” Styles)
Styles can be made that have multiple substyles, and you can choose the various substyles using the letters a, b, c, d, etc. up to “x” for 24 substyles.
Our naming convention for MultiStyles is to use a + sign at the end of the style name. For example, MyStyle+.STY would be a MultiStyle.
You can use these substyles easily; just enter the StylePicker and filter the styles list by the “+” character.
For example, load the song NR_CURR+.MGU from the C:\bb\Documentation\Tutorials\Tutorial BB 2008 folder. This loads the NR_CURR+.sty. When you see the “+” in the style name, you will know that this is a MultiStyle.
Right-click on a part marker, and you will see that there are 4 substyles available.
In the style NR_CURR+, there are 4 substyles, a, b, c, and d.
Standard Pop Song form with 4 substyle MultiStyle
In NR_CURR+ (and as a general rule for styles with 4 substyles):
- “a” substyle is for the verse.
- “b” substyle is for the chorus.
- “c” substyle is for the intro (or first verse).
- “d” substyle is for the break (or interlude).
Choose your substyle by clicking on the part marker, or right-clicking to select and define substyles. Here we have chosen “c” substyle, appropriate for the intro or first verse of the song (because the playing is sparse and sustained).
Making your own MultiStyles in Styles
You can make a style that is a MultiStyle.
1. Open the StyleMaker.
2. Press the [Misc] button.
3. In the MultiStyles group box, type the name of a style that you would like to use for the c/d section.
If you’d like more substyles, add more styles separated by semicolons (e.g. “zzjazz;z5bossa;c_george”). Then you’d have 8 substyles from “a” to “h.”
Note that each of these styles can have a specific RealDrums style, either stored in the style itself (Misc. Style Settings “RealDrums Settings”) or substituted via MIDI substitutions in RealDrums settings.
Styles can have names stored for the substyles. This is especially useful for Multistyles to describe the various substyles.
The MultiStyle names are set in the StyleMaker Miscellaneous dialog. When present, the names are visible with a right-click on a bar number.
MultiStyles in Songs
If you have a song, you can also use more than 2 substyles for that song. For example, let’s say we have a song that is a Bossa Nova and you want to have a Jazz Swing section. Rather than finding a MultiStyle that has this exact combination, we can make one, in the song, for this song only as follows:
Load a song like C:\bb\Demos\MIDI Style Demos\Styles00\zzbossa.mg4.
Right-click on a bar number, and choose “Define c/d.”
Then choose ZZJAZZ.STY from the StylePicker.
You will then see that there are 4 substyles now, a, b, c, d. You can use the “d” substyle for Jazz Swing walking bass, since it is the same as the “b” substyle from ZZJAZZ.
Load the song C:\bb\Documentation\Tutorials\Tutorial - BB2008\Demo of MultiStyle in song only Bossa 2 Jazz.MG4, and you can see the finished result. This song switches styles using part markers.
MIDI SuperTracks are MIDI tracks that can be added to a track or a style and play like other MIDI tracks in a style. They are called “SuperTracks” because they are generated using a different engine than typical MIDI style tracks. Typical MIDI style tracks are generated from C7 patterns in the style and repeat these patterns over any chord. MIDI SuperTracks use actual MIDI playing from musicians (similar to RealTracks in that regard), so are not based on patterns.
Using MIDI SuperTracks
To use MIDI SuperTracks, either:
- Choose a style or song that has MIDI SuperTracks and press Play. Look in the MIDI SuperTracks Demos folder for these songs
- Add a MIDI SuperTrack to a certain track.
Adding a MIDI SuperTrack
For example, let’s add a MIDI SuperTrack to the Piano track.
Right-click on the Piano track label at the top of the screen to see a menu of options (or right-click on the Piano track label in the Mixer), then choose “Select MIDI SuperTrack for this track.”
You will now see a menu of available MIDI SuperTracks. You can type a text or press the filter button [#] to narrow down your search.
There are memos describing the individual MIDI SuperTracks, and you can click on the memo for a big window.
You can preview the MIDI SuperTracks by double-clicking on the list or using the transport control buttons.
Once you choose a track, you will see that the Piano label has turned blue to indicate that it is a MIDI SuperTrack.
When you press Play, you will hear a much more sophisticated MIDI arrangement than a typical MIDI style, since it is not based on C7 chord patterns; instead, it is based on hours of actual MIDI playing from a top studio musician.
You can also access the MIDI SuperTrack dialog from the RealTracks Picker, by pressing the [Super] button.
Once you have selected a MIDI SuperTracks, you might want to assign a specific VST/DX instrument to play it. If so, use the Mixer’s Plugins panel, and click on the first slot for the track that you want to set.
This will launch the VST/DX Synths/Plugins dialog, where you can set the first slot to the VSTi/DXi synth that you want to play your track.
Each MIDI SuperTrack is assigned a number, like the MIDI Soloists or the RealTracks, so you can access the MIDI SuperTracks from the Select Soloist
Select Soloistdialog as well, and they are highlighted in cyan.
Once generated, MIDI SuperTracks behave like a regular MIDI track, and can be saved as MIDI files etc.
Your songs, styles, and solos can use live audio tracks recorded by studio musicians. Many Band-in-a-Box styles already use these tracks, and you can substitute these live recordings for the Band-in-a-Box MIDI tracks in any song.
The Assign RealTracks to Track dialog assigns a RealTracks instrument to any of the Band-in-a-Box instrumental tracks. It also shows any RealTracks that are assigned to Band-in-a-Box tracks.
This dialog is launched by several ways.
- Clicking on the [RealTracks] toolbar button and selecting RealTracks Picker Dialog, or shift-clicking on this button.
- Right-clicking or double-clicking on a Track button at the top of the main screen or in Mixer and choosing Select RealTracks from the menu.
- Pressing the [Assign to Track…] button in the RealTracks Settings dialog.
The dialog allows you to assign a specific RealTracks instruments to a track in a song. It also displays any RealTracks that are currently assigned to each track.
To use the dialog, first select the track that you want to assign.
Then, select the RealTracks that you want in the list below it.
Instant Preview of RealTracks
You can instantly hear an audio demo of RealTracks by double-clicking a RealTrack on the list. Since this doesn’t affect your song, you can quickly audition many different RealTracks, and find the best ones for your song.
You can choose which of band or solo plays first when you double-click on the list, by the “Band (on DblClick)” checkbox. Otherwise, press the [Band] or the [Solo] button. The demos play from the Internet or your hard drive (C:\bb\Demos\RealTracks-Demos).
This dialog shows you the RealTracks that best match the genre, tempo, feel of your song. The list is displayed from best to worst. For example, if you have a Jazz Ballad style loaded (tempo 60), the list will show Jazz RealTracks that will work well at a tempo of 60 at the top of the list.
To add a “best” RealTracks to any track, right-click on the Track radio. You will then see menu items for “All” RealTracks, “Chording” RealTracks, and “Soloist” RealTracks.
The Select Best “All” RealTracks menu command will list all types (background and soloist) of RealTracks. The Select Best “Chording” RealTrack menu command will show you a list of ill background (chording or melodic) RealTracks, and Best “Soloist” RealTracks will list the best soloist or background soloist RealTracks. Selecting one of these menu commands will open a dialog that lists the best RealTracks, sorted from best to worst for the current style.
If you want to filter the list, enter text or press the [#] button.
You can audition the RealTracks by double-clicking on the list or using the transport control buttons.
You can choose options (timebase, bluesy, simple, etc.) for the selected RealTrack.
The [OK and Generate Now] button closes the dialog, entering the currently selected item, and generating the track.
ou can also make your choice and press [OK] to return to the main screen. When you press [Generate and Play] the song will be generated with the new RealTrack instrument.
Your recent RealTracks selections are saved, and available in the various dialogs that allow you to choose RealTracks. The 400 most recent selections are shown, with most recent at the top.
When you use one of the “Select Best” commands in the right-click instrument menu, you will see a [Choose from Favorites] button in the dialog.
Or, in the RealTracks Picker, press the [Favs] button.
You will then see a dialog with a list of your recently chosen RealTracks, most recent on top. You can filter this dialog by text, e.g. “guitar,” to find a recently used RealTracks with the word “guitar” in it.
You can also see a list of recently used RealTracks if you right-click on a Track button at the top of the screen and go to Select RealTracks | Choose RealTracks from Recently Chosen Favorites. Click on a RealTrack from the list to quickly load it to the track.
You can change RealTracks within a song.
There are 2 ways to change RealTracks at any bar.
1. Change of RealTracks Styles at any Bar
You can change styles with RealTracks at any bar. For example, switch from Jazz Swing to Bossa style at any bar. To do this, first open the Edit Settings for Bar dialog (press F5) at the bar where you want the style change. Then press the [STY] button to select a style change.
2. Change of individual RealTracks instrument can be added to any track at any bar
You can change specific RealTracks without changing the style by inserting a specific RealTracks instrument into a track at any bar to create a customized performance. For example, if you want to change an Acoustic Bass comping part to an Acoustic Bass Solo at Chorus 4, Bar 1, you can do this. To change a certain track’s RealTracks at any bar, first open the Edit Settings for Bar dialog (press F5) at the bar that you want the style change. Then press the [RealTracks] button and you will see the RealTracks changes dialog where you can choose which tracks you would like to have RealTracks changes on.
Select a track, then press the “Change RealTracks to” and you will then see a list of RealTracks.
You will see a huge list of RealTracks, so you will likely want to narrow it down. Type a word that will be included in the RealTracks name, like “bass.” Then the list will only show bass RealTracks.
When you load a video RealTracks, you can use it just like an audio RealTracks but you can also generate a video, which will display the musician playing your song exactly as you hear it. If you load one of the video RealTracks bands, you will have video RealTracks on 5 tracks, and you can make a video of 1-5 musicians. You can also include a chord sheet or notation in the video.
When you select video RealTracks, [V] will show at the track buttons.
To make a video of RealTracks that are selected for your song, right-click on the Master button or one of the track buttons and select Render Video(s) from the menu.
This will open the Generate Video dialog.
Drag one of the available tracks listed at the top of the dialog and drop it onto the layout selector below. You can also drag and drop the chord sheet or notation (if available). You can even drag a video file (.mp4 files and some .avi files) from Windows® Explorer and drop it onto the video layout selector.
If you are making a video of multiple tracks, you can choose a track layout. For example, you can stack 3 tracks vertically for a 3-track video, or 3 tracks on the left and 2 tracks on the right for a 5-track video.
Right-clicking on the layout selector will show you a menu with options to flip a video, make a video for the left handed, or select alignment for each video.
You can select the resolution for the video. The aspect ratio is determined by which tracks are included and how they are arranged, but this allows you to make the final video smaller if you want.
When you are ready, press this button and select the name and location for the video.
While the video is being rendered, you can close the dialog and use other features in Band-in-a-Box.
When the video has been rendered, you can click on the .mp4 file on the Windows® Explorer to play the video.
Here is an example of a video for modern country band (electric bass, electric guitar, piano, drums, and pedal steel).
UserTracks allow anyone to create their own audio styles for use in Band-in-a-Box. With a UserTracks style, you can type in any chords into Band-in-a-Box, and the UserTracks style you made will play that chord progression! For example, if you’ve made a UserTracks style by recording yourself playing a guitar groove, you can then type any chords into Band-in-a-Box, and the result will be that it will play your guitar groove over these completely new, original chord changes!
You can use the UserTracks in a similar manner to using RealTracks.
To select a UserTracks for a track, first select the track at the top of the screen. For example, if you want to add a UserTracks to the Guitar Track, launch the menu on the Guitar track button (by right-click or double-click), and choose the “Select a UserTrack for this Track” option.
An alternative to the menu would be to select the Guitar track, and then press the UserTracks button on the main screen.
Now you will see the Pick a UserTracks dialog.
You can preview the selected UserTracks by double-clicking on the list or using the transport control buttons.
You can select a timebase (normal, half-time, double-time, or triple-time) for any UserTracks.
In this example, we want to add the UserTracks called “Guitar, Electric, Boom Chic Ev 140.” We simply select this UserTracks and press OK. We now see our UserTracks listed on the Guitar track on the Mixer.
Now the track behaves like other RealTracks.
There are several ways to hear RealDrums with new or existing Band-in-a-Box songs.
Many styles already use RealDrums, and there are several ways to tell if your song is using them.
At the top of the screen, the status bar will display the name of the set if RealDrums are in use.
You will see that the “Drums” radio button is colored in green.
Right-click on “Drums” and a menu opens that includes the name of the RealDrums in the style. Click on this menu item to open the RealDrums Picker and select a different set.
RealDrums can be added to any track, not just the Drums track, so you can have more than one drums track. To do this, right-click on the track button and select Choose RealDrums from the menu.
The RealDrums Picker can also be opened directly by clicking on the [RealDrums] toolbar button and selecting RealDrums Picker Dialog menu item. This action selects a RealDrums for the current song. It does not change the RealDrums set used in the style.
Your recent RealDrums selections are saved, and available in the various dialogs that allow you to choose RealDrums. In the RealDrums Picker, click on the [Choose from Favs] button to open a list of up to 400 most recent selections. Use the Filter String to narrow the selection by entering a term like “bossa” or “swing” to see only RealDrums with those words in the name.
The styles with RealDrums can be identified by the style name beginning with a minus sign. For example, “-ZZJAZZ.STY” is a version of the ZZJAZZ.STY that uses RealDrums. This setting is found in the StyleMaker’s Misc. Style Settings dialog.
You can set the RealDrum style inside the StyleMaker, by pressing the [Misc] button, and then typing the name of the RealDrum style.
With “Enable RealDrums” checked, RealDrums may be used rather than MIDI. There is also a hot key combination to turn RealDrums on/off (Ctrl+Shift+F6). The hot keys also work while the song is playing.
This will substitute RealDrums for MIDI styles. You can change the setting from 1 to 5. If set to 1, almost all MIDI drums will get substituted by RealDrums. If set to 5, only RealDrum styles that match the style perfectly will get substituted.
Individual songs can have RealDrums assigned to them. You can set the desired style in the RealDrums Settings dialog with the “For this song only, use this RealDrum style” setting. This will let the current song use the specific RealDrums style.
The [RD] button opens the RealDrums Picker where you select the RealDrums style that you would like to assign to your song. Clear your selection with the [Clear] button.
You can also open the RealDrums Picker directly from the menu on the [RealDrums] toolbar button.
RealDrums are normally saved with songs, unless you have unchecked “Save all Settings with Songs” in the Assign Instruments and Harmonies to Song dialog. In that case, you can select and save a RealDrums style with your song by going to File | Save Special | Save Song with Patches & Harmony (Alt+F2) to assign a RealDrums style.
The Edit Settings for Current Bar dialog (F5 key) lets you use multiple RealDrums styles within a song - either using the RealDrums from a Band-in-a-Box style or specifying a RealDrums style to use at a particular bar.
Note that changes at any bar must be enabled in the RealDrums Settings.
This is the simpler dialog for choosing RealDrums, an alternative to the RealDrums Picker. It displays all available RealDrums in a simple list, which can be easily filtered by genre, time signature, feel, and more. The list can be set to show only RealDrums that are compatible with the current style of the song. You can also set the highlighted RealDrums as a prototype RealDrums to find alternates to that RealDrums.
To open the dialog, right-click on the Drums track button, and select [QuickList] RealDrums in Song from the menu.
You can filter the list by genre, time signature, feel, tempo, and text. Use the [Set to Style: ] button to see RealDrums that are compatible with the current style of the song. The [Set to RD: ] button allows you to set the highlighted RealDrums as a prototype RealDrums so you can find alternates to that RealDrums. Press the [Clear] button to clear any filter.
Many RealDrums sets include variations, or different grooves. There is an easy way to select the different grooves within the song. Simply right-click on a bar number, and you see a menu of the DrumGrooves within the style. So, for example, you could easily switch from the “side stick/hihat” groove to “snare/Ride.” These are RealDrums with names that end with a caret (^) like CountryPopEv16^.
You can access the Drum Grooves to select them at any bar, by right-clicking on the bar #. You then see a menu of all the DrumGrooves.
For example, one DrumGroove is “Snare, HiHat” and another one is “Snare, Ride.” You can switch the Grooves at any bar, so that the Drum part is more interesting.
The menu item Apply Drum Groove change to allows you to select which chorus the change of DrumGroove should apply to (default is all choruses).
Note that the changes of Drum Grooves are entered in the F5 bar settings dialog.
You can add MIDITracks individually (from any style) to play on any track of your current song. For example, let’s add a “MIDI strings” track to the Strings track.
Select the Strings track and then click on the [MIDITracks] toolbar button and select MIDITracks (from .STY) menu command. Or you can right-click on the Strings track button at the top, and choose Select a Custom MIDI style for this track.
The MIDI Track Picker dialog will open.
You can select MIDI parts a few different ways.
The [Choose Style with this patch] button launches the StylePicker, filtered to only display styles that contain the instrument specified.
For example, if you select “49 Strings,” it will only show MIDI styles with strings.
The [Choose from Presets] button launches a dialog with preset “popular” choices for MIDITracks to add. You can type a filter like “49” to only see entries for “49 Strings,” or type “strings.” This dialog shows you if the instrument is for “a” or “b” substyles or both (“ab”).
The [Favs] button will remember your last few hundred choices, so you can re-use them.
Once chosen, the MIDI track will play on the track chosen. Note that you can use the Strings track from a style and play it on any Band-in-a-Box track, including Bass/Piano etc., and even the Melody or Soloist track.
When you assign an instrument to a different track Band-in-a-Box will open a yellow message box to confirm your choice.
Press [OK] to continue or [Clear] to redo your choice.
Tutorial Demo Song – Adding MIDITracks
To check out a song that has had two individual MIDITracks added to it, open this folder: C:\bb\Documentation\Tutorials\Tutorial - BB2012, and open the file <=HANKMID Demo (MIDI Presets used over a country swing style).SGU>.
Press the [Memo] button to read about the feature and the demo song.
You can add your own or third-party loops to any Band-in-a-Box track. Loops are audio files (WAV, wma, m4a, mp4, mp3) that reside in the Loops folder of the RealTracks folder. You can add your own files to this folder.
Loops support many types of ACIDized Loops (for WAV and mp3 files). And, if you add an Acid loop that is on a certain root (e.g. F), Band-in-a-Box will instantly allow you to use that as a complete style, by transposing that loop to the current chord of the song in Band-in-a-Box, so that the loop follows your chord progression.
Click on the [Loops] toolbar button to open the Pick a Loop dialog.
You can also right-click on the track that you want to use at the top of the screen (e.g. Strings) and choose the menu item Select a Loop for this track.
When the dialog opens, select a loop from the list.
Double-click on the list or use a transport control button to preview the loop. The instant preview sometimes plays demos from the internet. You can save any file that is being played from the internet by clicking the folder icon.
You can control the volume of the demos with the speaker icon in the transport control.
For a nature sound, you can leave these options at the default values. But if you want to retrigger the WAV every section, part marker, bar, or chord, then you can set them.
For a nature sound, there is no tempo, and you don’t want to select “Stretch Tempo.” For a Drums loop, you want to stretch the tempo. Once you select “Stretch Tempo,” enter the tempo of the WAV file (if known), and if not known, enter the # of beats in the wav file (e.g. 2 bars would be 8 beats).
For a nature sound, you don’t want any transposition. For a melodic sound, you might want to transpose to the root of the chord in the Band-in-a-Box song. If so, enter the root of the WAV file, and set the transpose type to “chord root.”
You can select a timebase (normal, half-time, double-time, or triple-time) for any Loop.
If you want a different sound for the “b” substyle, enter that WAV file name in that “b substyle loop” setting.
You can open your Loops folder and add audio files (loops) to it. If you add files, you need to press the [Refresh] button, or exit the dialog and re-enter it to refresh the list.
There are many good sources for loops and sounds on the Internet. One is freesound.org, which has many sound effects.
This is a quick way to clear a loop on a track, as opposed to scrolling up to “No Loop chosen for this Track.”
This button allows you to rename a loop.
This button will duplicate a loop, allowing you to use it with different parameters.
Tutorial Demo Songs - Loops
To see the Loops feature in action, open this folder: C:\bb\Documentation\Tutorials\Tutorial - BB2012 and open one of these files:
_ELECTAM Demo (‘Loop’ feature with tambourine percussion added).SGU.
=THUNDER Demo (New Age style with Thunder Loop).MGU.
In the first example, a percussion loop has been added to a rock song, in the second example, a rain & thunder sound effects loop has been added to a New Age style.
When you play these songs, press the [Memo] button to read about the feature and the demo song.
You can enter lyrics in each bar on the Chord Sheet.
To enter lyrics, you first need to display the Bar Lyrics layer by clicking on the [Chord Display] toolbar button and selecting Layers | Bar Lyrics.
If the song does not have any lyrics, the Bar Lyrics layer does not appear on most lines, but it appears on the row where the bar is highlighted. If you click on a bar on another row, the layer will appear on that row.
Double-click on the Bar Lyrics layer on a bar where you want to enter lyrics. This will change the color of the layer, which indicates that you can type in that location. You can use keys to navigate through the layer: TAB to go forward, SHIFT+TAB to go backward.
Type a lyric and press the TAB key. This will enter the lyric and move the editing bar forward.
To edit lyrics, go back there by clicking on that bar or using the SHIFT+TAB keys, and then retype.
If you have entered lyrics that were supposed to be spaced out over some bars, go back to the bar, and use the arrow key to move the cursor to the beginning of the lyric that should be in the next bar. Then press ENTER. This will push that lyric to the next bar and shuffle the texts in the following bars forward as well.
Example: You realize that “once was lost” in bar 13 should have been “once was,” and lyrics in bar 14 should have been spread over some bars.
Press SHIFT+TAB to go back to bar 13.
Use the left arrow key to move the cursor to the beginning of “lost.”
And press ENTER. This pushes “lost” to bar 14 and “but now am found” to bar 15.
Use TAB or SHIFT+TAB to move through the bars, the left/right arrow keys to move the cursor within the bar, and ENTER or BACKSPACE to push lyrics, until the lyrics are in the correct bars.
The Bar Lyrics layer is designed so that you can even edit lyrics during playback.
Another way to enter lyrics is to copy lyrics from a text file and paste them directly to the Bar Lyrics layer.
First, prepare lyrics in the text file and copy them to the clipboard.
Then, go back to Band-in-a-Box, double-click on the bar where the lyrics should be inserted and press CTRL+V.
Now all the lyrics are entered in the layer.
But the lyrics are not quite in the correct bars, so you need to fix using the TAB, ENTER, or arrow keys.
There is an easier way for this copying and pasting method. If the lyrics in the text file are arranged so that each line represents a bar, you need very little to fix after pasting.
First, edit the lyrics in the text file so that every line corresponds to a bar. Then, copy them all to the clipboard.
Next, go back to Band-in-a-Box, double-click on the bar where the lyrics should be inserted and press CTRL+V keys.
Band-in-a-Box is much more than an intelligent arranger and accompanist. You can record your live MIDI performance to the Melody or Soloist track, enter a melody in the Notation note-by-note, or use the Wizard feature to record with either your computer keyboard or a connected MIDI keyboard controller.
If you want a metronome to play while you are recording, you can select it in the Options | Preferences dialog. You can even have a visual metronome if you like.
Press the [Record MIDI] toolbar button to begin recording. This launches the Record MIDI to Melody Track dialog, which prompts you to set the position (bar and chorus) where you wish to start recording.
Pressing the [Record] button will start Band-in-a-Box recording what you play on the Thru track. An audible count-in is played prior to recording.
Once you have completed recording your melody, Band-in-a-Box will ask you if you would like to keep the take and if you would like to copy the recorded chorus to the whole song. If you did not record the full track you can choose to retain the rest of the track beyond the part you just recorded.
There are 2 tracks in Band-in-a-Box to add your own recordings. These are the Melody and Soloist tracks. Normally you would want a single part on each of them. But, since MIDI information can have separate channels, it is possible to store 16 separate parts on each of the Melody and Soloist parts. When the track has been set to “Multi (16) -Channel” we refer to this as “Sequencer Mode.”
If you want to use the 16 separate parts for the Melody track, you need to set the Melody Track type to “Multi (16) -Channel.” This is done from the Melody (or Soloist) menu or can be done by pressing the Sequencer button.
Now, when you are in this multi-channel mode, output from the Melody part will be on whatever MIDI channel the information is stored on and will not be using the Melody MIDI channel. Both the Melody and Soloist tracks can be set to multi-channel play, for a total of 32 channels.
When musicians see a Lead Sheet that has a melody written out, they almost never play it exactly as written. They change the timing to add syncopation, change durations to achieve staccato or legato playing, add grace notes, slurs, extra notes, vibrato, and other effects. You can have Band-in-a-Box do these automatically using the Embellisher.
You can enable the Embellisher from the [Embellish Melody] menu button. Any Melody will be embellished as it is played so that you hear a livelier and more realistic Melody - and it’s different every time.
Embellisher dialog opens the Melody Embellisher dialog with many user options to control the embellishment settings. The Embellisher Presets allow you to choose a combination of common settings for the Embellisher quickly.
The Embellisher is only active while the music is playing; the recorded Melody track isn’t affected. There is an option for the Embellisher to only humanize the timing of the music if the timing was “stiff” to begin with. This allows the Embellisher to leave the timing of human input melodies alone and humanize only the ones that were entered in step-time.
The Embellisher Memo describes the current embellishment, with statistics counting the number of embellished notes.
You can save/load your own presets for the Embellisher.
When you want to recall the saved preset, press the Import button, and load in a previously made .EMB file. You can share your favorite presets with other installations of Band-in-a-Box using the EMB files.
You can record an audio track of your live vocal or instrumental performance and save it to an audio wave file along with the Band-in-a- Box accompaniment. Make sure that you have a microphone plugged in to your sound card, or a connection from a mixer, keyboard, or other audio device connected to the Line In jack on your sound card.
Click on the [Record Audio] button to prepare to record an audio track.
To leave the VU Meters open while recording, enable this option in the Record Audio dialog.
The VU Meters show the average strength of the signal, with a dB scale, and a clip indicator. Clipping indicates that the signal has overloaded and will sound distorted (clipped).
The Record Audio dialog displays the mono/stereo status of the recording.
If you want to change to/from stereo (to/from mono), press the [Audio Options] button in this dialog. The mono/stereo track status is also indicated on the Title bar at the top of the main screen.
Set the start point for the recording.
You can record from the start of the song, somewhere in the middle, or punch in by choosing a bar and chorus # to start recording.
Also Record MIDI?
If you also want to record MIDI at the same time, choose either “Also Record MIDI to Melody” or “Also Record MIDI to Soloist” option.
Audio recording begins. If you have enabled the “Leave VU Meter while recording” option, then the VU Meter will open and display during recording so you can monitor the VU meters.
Press [Stop] or press the [Esc] key.
You will then see the “Keep Take?” dialog.
If you are happy with your recording, you should choose [OK -Keep Take] and the audio will be added to the Audio track.
You can listen to the results by pressing [Play].
If you are not happy with the results, you can choose Edit | Undo Keep Audio Take and you will be back to where you were prior to the recording. You can also choose the option to [Take Again], which reopens the Recording dialog.
If you’ve recorded only 1 chorus of the song, you can choose the option to copy that first chorus of audio to the whole song. This will fill up the whole song with the audio by repeating it as many times as necessary. Then you’d just need to record the ending of the song.
At the end of recording, you receive an option to overdub with the underlying audio. This means that both recordings will be merged together to form a new file, with both recordings preserved. There is also an option to “Retain audio past last recorded.” This allows you to “punch out” and preserve the rest of a previously recorded take.
A mono or stereo WAV file can be imported to the Audio track, optionally merging with or replacing any existing Audio track. Choose the menu item File | Import Audio (WAV, WMA, MP3, WMV) or Audio | Import Audio (WAV, WMA, MP3, WMV). You then choose an audio file to import. The Import Audio File dialog is then displayed, which allows selection of the point to insert the audio file, and whether to merge or overwrite existing audio in the range.
If the audio file contains Acid Loop or Apple® Loop information, the dialog shows an option to set the audio base tempo of the current song to the tempo of the audio file.
Audio Chord Wizard (Chords from Audio)
This feature analyzes a WAV, WMA, MP3, WMV, or CDA audio file and imports it to Band-in-a-Box. Using the Audio Chord Wizard is a great way to learn and practice popular songs as you play along and see the chords.
There is a chord sheet window in the >Audio Chord Wizard that shows the chords for the whole song on a single screen. This allows you to click on a bar on the chord sheet to jump to that area of the song.
You can mark sections of the song using part markers, and the sections will begin on a new line with a line space between so they are clearly seen. You can then learn the form of the song, as you can see the various sections (intro/verse/chorus/break) at a glance, or quickly jump to any section simply by double-clicking on that part of the chord sheet.
Use the [Harmony] menu button command MIDI – Melody Harmony to add a MIDI harmony to the Melody track. This opens the Select Melody Harmony dialog where you can choose from any of the pre-defined harmonies.
This button will open the Harmony Maker, where you can customize Harmonists.
You can search for a harmony by a keyword (i.e. typing in the first few letters of a harmony name) in either the Harmonies or Favorite Harmonies dialog.
This button is to turn off any notes that are stuck on. (There shouldn’t be any.)
This button will produce a list the 50 most recently loaded harmonies.
This will disable the harmony for the song. The keystrokes Shift+F10 also allow or disable the Melody harmony.
When adding a harmony to the Melody (or Soloist) you can use the option to loosen up start times of for the harmony notes to achieve a more natural, richer harmony sound.
Choose menu item Melody | Edit Melody Track | Quantize, Time Adjust | Loosen Start Times. You can select the range of adjustments. For example, if you want the notes to be played earlier, use a negative number. A setting of minus 5 to positive 6 would cause the start times to be varied up to 5 ticks early and 6 ticks late. There is also a setting to choose whether you want only the harmony notes present on the track to be affected, leaving the original melody unaffected.
This feature permanently writes the specified harmony to the Melody or Soloist track, instead of being applied in real time. Use the buttons in the Select Melody/Soloist Harmony dialogs, or the Convert Harmony… menu command found in the Melody and Soloist menus. You will then see a dialog allowing you to choose the range of the song to add the harmony, either the whole song or a specified range of bars.
There are options to “Eliminate Note Overlap” and “Loosen start times of notes” for the harmony notes to achieve a more natural, richer harmony sound. The melody is not affected, only the harmony notes, and there are options for the range of spread for the harmony notes.
Normally, the Live Harmony feature is not active when Band-in-a-Box is stopped. But you can in fact use the Live Harmony even while a song is not playing.
You need only to open the Harmony | Real Time MIDI Harmonies menu item. Note that this Live Harmony dialog must remain open for this feature to be active.
When this dialog (shown above) is open, you can play a chord in the Left hand (below the split point set in the dialog), and the chord you play is and displayed in the dialog. Then, the notes that you play in the right hand will get harmonized according to this left-hand chord.
If you set the “Only Harmonize if Left hand chord held down,” you will be able to control what notes get harmonized by holding down the chord when you want a note to be harmonized.
You can open an entire MIDI file into Band-in-a-Box. The chords will be automatically interpreted by the Chord Wizard and the MIDI file will play and display on the Melody track. A “silent” style will be loaded so you will only hear the MIDI file. When the file is saved, the extension will be MGX, allowing you to easily identify the BB songs that you have that contain entire MIDI files.
You could also use the powerful music making features of Band-in-a-Box to create new accompaniments, add harmonies, add soloing, and embellish the melody. And when you are finished, you can always resave your song as a MIDI file again.
You can open any MIDI file in Band-in-a-Box, and Band-in-a-Box will automatically figure out the chords of the song for you. It automatically analyzes the MIDI file, figures out where the bass, piano, melody and other tracks are, and then figures out the chord changes for the song. The chords are written onto the Band-in-a-Box Chord Sheet like any other song. You can also read tracks into the Melody and Soloist tracks.
To interpret a MIDI file, go to File | Import | Import Chords from MIDI file or use the keystroke combination Ctrl+Alt+I. This launches the Interpret Chords from MIDI file dialog where either user settings or presets can be applied to specify how the chords should be interpreted.
That’s right! Band-in-a-Box can “solo like a pro” in hundreds of styles. You can either use the dedicated Soloist track or assign a soloist RealTrack to any track.
There are two ways to select and add a solo to your song. The “Best Soloist” feature presents a pre-qualified list of soloist to choose from. The Select Soloist dialog gives you the full list of soloists to choose from, plus additional settings you can apply to the solo.
Pick “Best” Soloist RealTracks
This dialog shows you the best soloists that match the genre, tempo, and feel of your song. The list is displayed from best to worst. For example, if you have a Jazz Ballad style loaded (tempo 60), the list will show jazz Soloists that will work well at a tempo of 60 at the top of the list, and something like a fast, Heavy Metal Guitar Soloist at the bottom of the list.
How to Use This Feature
To add a Best Soloist to the Soloist track, press the Soloist button, and choose the menu option “Add Best RealTracks Soloist to Soloist Track.”
To add a best Soloist to any track, right-click (or double-click) on the instrument radio button (e.g. Piano) and choose the Select RealTracks | Select Best Soloist RealTracks menu command.
You will then see the dialog that lists the best soloists for the current style.
It will include “Soloists” and “Background (Melodic).” You can de-select these if you want to see only “Soloists” (and not “Background”).
You can audition the RealTracks by double-clicking on the list or using the transport control buttons.
You can choose options (timebase, bluesy, simple, etc.) for the selected RealTrack.
Select Soloist Dialog
Use the [Soloist] button on the main screen to open the Select Soloist dialog and choose from over 2000 Soloist profiles.
You can select a Soloist type (e.g. Modern Jazz) and see only soloists matching the type.
And you can also filter to show/not show soloists from Soloist sets that you don’t have.
Use the preset Soloist settings or choose a Mode and which Choruses to solo.
Band-in-a-Box has RealTracks instruments, which are live audio recordings of studio musicians. These RealTracks replace the MIDI track for that instrument and can be controlled just like the MIDI instrument (volume changes, muting etc.). RealTracks can be can be generated to the Soloist (or Melody) track using the Soloist feature.
There are hundreds of RealTracks soloists available, starting at #361 in the list of soloing styles.
The [Best RealTracks] button gives you a list of the best RealTracks soloists for the current Band-in-a-Box style.
RealTracks solos are saved with the song, so you will hear the RealTracks play the same solo when you reload the song. When you generate a solo using RealTracks, Band-in-a-Box will remember this, and when you go to save the song, Band-in-a-Box will ask you if you want to save that solo (and thereby freeze the Soloist track). If you say yes, then the solo will play instantly the same way when the song is reloaded. Of course, you can freeze the soloist track yourself at any time. Note that only one solo can be saved. You can’t generate a bunch of different segments of solos; only the last one will be saved.
With the “Trade” feature, you can Trade 2’s, Trade 4’s, or Trade 8’s between your live playing and the Soloist. Toggle between [1st] and [2nd] to choose who goes first, the soloist or you.
There is a dedicated function to vary the start times of notes on the Melody or Soloist tracks, with options for what notes to affect (harmony, chords, and amount of variance). Choose menu item Soloist | Edit Soloist Track | Quantize, Time Adjust | Loosen Start Times.
Using the Soloist Feature
- Generate a Soloist and practice the solo by looping it, slowing it down, or printing it out, until you can perform a great solo on any chord changes.
- Generate a Soloist and attach a Harmony such as “Big Band Brass” to create phenomenally quick and interesting Big Band Arrangements automatically. Generate a standard MIDI file or print them out (with PowerTracks Pro) for you and your friends. /li>
- Have the Soloist play a solo according to your accompaniment and arrangement (along with the other members of your Band-in-a-Box, of course!)
- Trade 4’s in a call-response fashion with the Soloist (you solo for 4 bars, Band-in-a-Box solos for 4 bars, etc.).
- Concentrate separately on different aspects of your playing with assistance from the “Wizard” from soloing with proper phrasing and “feel” (the best notes are included automatically) to accompanying a soloist with confidence and authority. (Tip: try muting out one of the accompaniment parts such as the piano or guitar part and play along to the Soloist in a supportive role-- it’s fun!)< li>
- Use the Soloist track to record another part in addition to the Melody and other parts provided by Band-in-a-Box.
- Generate a Soloist on chords/keys that you would like to practice. Band-in-a-Box will play and solo with you all day without getting bored. For example, if you want to work on your II-V7-I progressions (“two-five-one”), you can just type the chords you want, and generate a solo to play over those changes. As the solo plays, you see the notation, can you can sight read along. Pressing the “Loop Screen” checkbox on the notation will loop the notation the screen so you can master each 4-bar phrase (II-V-I) and then move ahead to the next one!
The Soloist Maker [Edit] button gives access to the advanced settings in the Soloist Editor where you can edit existing profiles or create new Soloists of your own.
To see the Soloist part play in the standard music notation, open the Notation window and press the [S] button at the far right of the instrument buttons.
Feel like composing a brand-new song? With Band-in-a-Box you can compose a new song, in the style of your choice complete with intro, chords, melody, arrangement, and improvisations, all created by the program! All you have to do is pick from one of the “Melodists” and press [OK] - the program then automatically generates the intro, chords, melody, and arrangement in the chosen style. It even auto-generates a title! You can go from nothing to a completed song in less than 1 second!
You can also auto-regenerate any part of a song and modify it to suit you. The Melodist will also generate a melody over an existing chord progression. A “Melodist Juke Box” mode creates and performs new compositions in succession.
To launch the Melodist, press the [Melodist] button on the main screen, or use the Shift+F5 hot keys.
Melodists can be filtered by “Genre” (e.g. EZ listening) to show only Melodists in that genre. You can also filter to show/not show Melodists from Melodist sets that you don’t have. Check “Show if N/A” to list all Melodists, even if they are not included in your Band-in-a-Box.
The on-screen display of the song file name includes “*” when the file has been changed.
Edit | Undo and Edit | Redo allow you to Undo (or redo) most operations. Multiple Undo supports up to 999 levels of undo (configurable).
The default number of undo is 99. If you need to change this, it can be done in Options | Preferences “Number of Levels of Undo.” The range can be 5 to 999. You can also choose Edit | Redo to redo an undo.
Edit | Cut functions like a delete command. It removes bars of chords from a song.
- This feature makes it easier to perform editing operations, such as copy/insert, etc. Simply highlight the region and select the option. This feature also aids in Copy from...to...; Erase; Transpose; Insert; and Delete. For example, if you select (highlight) a region by dragging the mouse and then choose one of the Edit menu commands the dialog will automatically adjust to the correct values, based on the region that you’ve highlighted.
- To select a region of Chord Sheet, Notation window, or Audio Edit window, you can Shift+click on the end point to easily select a large area
- The Copy Chords and/or melody dialog is typical of the range selection dialogs used by several functions. You are able to set a range for the function to be either part of the song, or the whole song.
Copying and Pasting a Section of Chords
- Copying a section of chords is done in the same manner as copying text in a Windows® word processor (read on if you are unfamiliar with how this is done). There are also similar “keyboard shortcuts” for these operations as listed in Keystroke Commands – Hot Keys section of this guide.
Copying Chords to the Windows® Clipboard
- Select the region to copy. Place the mouse cursor at the bar to begin the selection. Then, holding down the left mouse button, drag the mouse over the region. As you do this you will see that the region will be inverted (i.e. looks dark). When you have selected the desired region of chords to copy, release the mouse button.
- Copy the selected region to the clipboard. Click Ctrl+C or choose Copy from the Edit Menu.
Pasting Chords from the Windows® Clipboard
- Assuming you have already copied some chords to the clipboard (see previous topic), you are then ready to paste the copied chords into another part of your Chord Sheet.
- Move the highlight cell to the bar to begin the paste of chords.
- Click Ctrl+V or choose Paste from the Edit Menu.
The menu command Edit | Copy Special | Copy From.. To.. launches the Copy Chords and/or Melody dialog.
This allows you to copy Chords, Melody, Soloist, and Lyrics for a range of bars. If you are copying the Melody/Soloist, you need to specify which chorus you wish to copy.
If you want to extend the song by inserting a new section by copying an existing range of bars, then select the “Insert Bars at destination” checkbox to insert the extra bars.
By simply typing “K” at a bar followed by the Enter key, you can instantly copy the last 8 bars to the current position. By adding additional keys in the K command, you can customize this shortcut (e.g. typing K 12, 3 would copy from bar 3 for 12 bars to current position.) The current position is advanced to the bar beyond the copy. This speeds up song entry!
For example, if you’re entering a song that has a repeating section of chords for 8 bars, type in the first 8 bars of chords, and then move to bar 9 and then type: k, Enter.
The last 8 bars will be copied to bar 9-16, and the cursor will be moved to bar 17, so you’re ready to continue with the tune. If you get to bar 25 and would like the chords from 1-8 to be copied to 25-32, type k,1 and this will copy 8 bars from bar 1 to bar 25.
The chords always get copied. The Melody, Soloist, and Lyrics also get copied if these items are set in the Copy Chords and/or melody dialog.
With the menu selection Edit | Copy Special | Copy Rests you can copy the attributes of a chord over a range of other chords. Rests also include shots and held chords.
The Copy/Move Tracks command in the Edit | Copy Special submenu opens the Track-to-Track Copy/Move/Delete dialog, which allows copying from one track to another.
Inside the dialog, you should choose the “Source Track” and the destination track to Copy/Move selected channels to. The source track can be any of the Band-in-a-Box tracks – Bass, Drums, Piano, Guitar, Strings, Melody, or Soloist.
You can copy any channels from any track to any other track. Examples of uses include:
- Loading a MIDI file to the Melody track, and copying the bass part to the Bass track, and then freezing the Bass track. This allows you to setup a MIDI file with the same tracks as Band-in-a-Box uses. Note: the command automatically freezes the destination track after the copy.
- Getting the RealChart to play, to double a RealTracks part on another instrument. To do this, generate a RealTracks for piano on the piano track. Then copy the piano track to the strings track and set a strings patch. You now hear a RealTracks piano, with the strings doubling the piano part.
- Replacing a RealChart with a MIDI version. If a RealChart is available, copy the RealChart as in the example above. Then eliminate the RealTracks on the original track. You now have a RealChart MIDI part playing instead of the RealTracks, and you can edit that part etc. as with any MIDI track.
There is also an option to “merge with existing data…” on the destination track.
To erase bars with additional control for erasing the Melody, Soloist, and/or Lyrics, choose Edit | Erase From.. To.. to launch the Erase Chords and / or melody dialog.
With this dialog, you have complete control over erasing a number of bars of chords and/or the Melody, Soloist, and Lyrics. If you’re erasing the Melody, Soloist, or Lyrics you need to specify which chorus you wish to erase.
To generate an intro, press the [Song Form] toolbar button and select Generate Into from the pulldown menu. You can also go to the menu Edit | Song Form | Intro Bars… The Generate Chords for Intro dialog will then open.
With a single press of a button you can auto-generate a 2, 4, or 8 bar intro for any song. The chords will be different each time, and you can keep trying as often as you like until you get the progression that you want. The intro generated will be an intelligent chord progression (i.e. appropriate for an intro) in the chosen style of music (Jazz/Pop). It can have optional pedal bass and will “lead” correctly to the first chord of the song.
The duration of the intro can be set to 2, 4, or 8 bars. You can also get a pedal bass figure inserted throughout the intro. Press the [Remove Intro] button to delete any intro present in your song.
Choose Edit | Insert Bars and the program will ask you to type in the number of bars you wish to insert.
Choose Edit | Delete Bars and the program will ask you to type in the number of bars you wish to delete.
The “Nudge” feature allows moving a range of chords by any number of bars/beats. For example, let’s say that you have entered a complete song chord progression, and you then realize that all of the chords starting at bar 23 are 1 beat too late (maybe due to a time signature change). You can move all of the chords 1 beat earlier, by setting the nudge at bar 23, beat 1, and duration of the nudge to -1 (minus 1) beats.
You can nudge chords and/or Melody/Soloist parts.
Most lead sheet style printouts contain 1st/2nd endings, repeats, coda, tag, and sign markings. Band-in-a-Box supports entry, display, and printout of song forms using these symbols. This command launches the Edit Repeats and Endings dialog where you can enter repeats, 1st and 2nd endings, DC, DS al coda and more.
The “Auto-Find” feature will intelligently detect 1st/2nd endings automatically for you, so you can view and convert any Band-in-a-Box song to include 1st/2nd endings in lead sheet format.
When you have created your repeats and endings, either manually or automatically, simply select the “Fake Sheet” checkbox on the Chord Sheet or Lead Sheet window. Band-in-a-Box will hide the repeated bars and display the fake sheet using 1st and 2nd endings.
- Reduce (durations of chords by ½) cuts chord durations by 50% (e.g., 4beats>>2beats, 2beats>>1beat, etc.).
- Expand (durations of chords by 2) doubles the durations of chords (e.g., 1beat>>2beats, 2beats>>4beats, etc.).
Choose Edit | Song Form | Unfold (convert to one BIG chorus) to unfold a multi-chorus song into one BIG chorus.
If you have a song with 3 choruses and want to convert it to a single large chorus, this command unfolds the song into just that; one BIG chorus. This is useful for customizing a song with style, patch or tempo changes in different verses.
A “Fold song” routine converts a song with a single large chorus to multiple smaller choruses with optional tag ending. If you have imported a MIDI file, you might have a file that is 96 bars long, but really consists of 3 choruses of 32 bars each. You can convert this to a 32-bar song by using the Edit | Song Form | Fold
Foldmenu item, including inserting tag endings, and 2-bar endings.
Under the Edit | Set Time Signature (range of bars) menu item, you can assign a specific time signature at any bar and apply it to a range of bars, as often as you want.
For example, to have one bar (bar 13) of 5/4, select Edit | Set Time Signature… and toggle the 5/4 button. Then, type in the bar beginning and ending range in the space provided. (In this case, 13 and 1.)
This submenu lets you transpose the entire song by a number of semitones, or specify a range to transpose with the Transpose From.. To.. command.
To transpose part of a song, simply highlight the area you wish to transpose and select Transpose From.. To.. in the submenu.When you have confirmed the starting bar and the number of bars you wish to transpose, click on the “Transpose to Key” area and select the destination key.
A Song Memo of up to 2000 characters may be added. Clicking on the [Memo] button launches the Song Memo dialog, where you can type or edit a memo about the song and select an “Auto-open” option that will show the memo each time the song is loaded.
The Song Memo has an option to close automatically during playback. When this option is set, the Memo button will close when play is pressed, and not reopen when stop is pressed. This setting, in combination with the “Auto-open” setting, ensures that the memo opens when the song opens, but closes during playback. The font for the song memo is size selectable.
If the “Summary” checkbox is selected, you will see an additional window that automatically displays a full summary of the song (title/tempo/patches used in the song), as well as other special features, such as substyle patch changes or harmonies.
Press the [Bar Summary] button to see a report of any changes to settings that are programmed in the Edit Bar Settings dialog (F5).
Auto-Generate Song Title allows you to generate a title for a song. There is also a button on the main screen for this.
The Edit | Chords | ‘Jazz Up’ the chords menu command will “Jazz Up” the chords by changing chords like C and Cmaj to 7th and 6th chords. Song embellishment will be turned on for the song. Select the type of 7ths from the list box, and then click on the [OK – Jazz UP] button.
The Edit | Chords | ‘Jazz Down’ the chords menu command “Jazz Down” the chords by changing chords with 7ths (e.g. C7) to triads (e.g. C) and 9ths and 13ths to 7th chords. Song embellishment is turned off. Press [OK – Jazz Down] to proceed.
The Edit | Chords | Search/Replace Chords menu command allows you to search and replace chord names, including wild cards.
If you can’t remember the various keystrokes to put in rests and pushes, you can use the Chord Options dialog instead. To get to the Chord Options dialog press the [C7] button, click with the right mouse button onto the Chord Sheet, or use the keystrokes Alt+F5.
You can launch the Preview, Chord Builder, or Chord Substitution functions from this window.
You can enter pedal bass with any chord. For example, if you are in the Key of F, and would like a pedal on a C note for 2 bars (on an Fm7 chord), then type in the settings as shown. This will play the rhythm specified – in this case the pattern will play on beat 2 and 4.
The [Previous Bar] and [Next Bar] buttons lets you go through the entire Chord Sheet without leaving the dialog.
The [Clear All Bars] button erases all Rests/Shots/Pushes/Pedal Bass from a song.
The [Clear Bar] button erases all Rests/Shots/Pushes/Pedal Bass from the current bar.
The number of beats per bar, tempo changes, patch, style, and harmony changes can be made by selecting the Settings For Current Bar option on the Edit menu or by pressing F5 after you have selected a bar to edit.
Settings Apply to Chorus # You can specify the changes you make to happen for every chorus and/or a specific chorus. This applies to bar settings like tempo changes, style changes, RealDrums changes, patch changes, volume changes, and harmony changes.
Number of Beats this Bar The initial time signature of the song is determined by the style (e.g., Jazz =4/4, Waltz =3/4). In some songs you will want to change the time signature, for example, you might want a single bar of 2/4, or 8 bars of 3/4 time. This option allows a change of time signature during a song.
The change takes place at the beginning of the bar and continues until a new time signature change is specified. You can select from 1 to 4 beats per bar. Time signature changes are printed on the Notation/Lead Sheet.
Example: A song in 4/4 time with a single bar of 6/4 time
The maximum # beats per bar is =4, so we will split the 6/4 bar into 2 bars, a 4/4 bar and a 2/4 bar. Insert a # beats per bar =2 at the beginning of the 2/4 bar, then restore the time signature to 4/4 by assigning # beats per bar =4 for the next bar.
Tempo Change If you want to change the tempo at a certain bar of the song, then use this dialog to type in the new tempo in beats per minute. The tempo change takes effect at the beginning of the bar and remains until a new tempo change at another bar is inserted. Alternatively, you can specify a percentage change in tempo.
Key Signature Change You can have multiple keys in the same song with the new key signature shown on notation. Select the new key signature you want from the combo list and you will see the new key signature drawn on the notation at that bar.
Style Changes at This Bar To choose a new style for this bar you can select the style from the StylePicker by pressing the [.STY] button or from the C:\bb\Styles folder by pressing [Open]. You can audition a style in the StylePicker without changing your existing arrangement, by using the Quick - play using premade demo area, which plays a streaming demo from the web. For example, if you see a style like _JSWINGG “Jazz Swing w/ Electric Guitar” you can hear what it sounds like without loading in the style. This is useful because you hear an audio demo of a good example of the style in action. It is also useful because it can demo a style that you don’t have, or you can compare to make sure that yours sounds the same as it is supposed to sound.
When chosen, the name of the style change for the current bar will be displayed. Click on the [Clear STY] button if you want no style change to occur.
Individual styles have instrument patches assigned to them. “Send Patch changes with style change” allows the option to send those assigned patches at the current bar. If you would like to keep the patches that had been previously used in the song, deselect this option.
RealDrums Changes at any Bar You can have multiple RealDrums styles within a song. You can either enter a change of RealDrums, or enter a change of style, which will also result in a change of RealDrums.
The name of the new RealDrums style is displayed. The [Clear RD] button deletes the RealDrums change.
RealTracks Changes at any Bar You can insert a specific RealTracks instrument at any bar to create a customized performance. You can change specific RealTracks without changing the style. For example, if you want to change an Acoustic Bass comping part to an Acoustic Bass Solo at Chorus 4, Bar 1, you can do this.
Press the [RealTracks] button and you will see the RealTracks Changes dialog where you can choose which tracks you would like to have RealTracks changes on.
Select a track, then press the button and you will then see a list of RealTracks.
You will see a huge list of RealTracks, so you will likely want to narrow it down. Type a word that will be included in the RealTracks name, like “bass.” Then the list will only show bass RealTracks.
Notation - Start a New Line
You can set the notation to start a new line at any bar. This allows you to customize the number of bars on each line and is used in conjunction with the Notation Options settings of bars-per-line on the notation.
This feature works for chord sections.
Volume and patch changes can be made for instrument parts and the Audio track at any bar.
Volume changes can be specified values or fade up/down amounts. There are presets to mute or restore the volume level for a part.
Patch selections include patches on higher banks, which are accessed with the [+] button.
Harmony Changes at This bar
You set a harmony to begin or end at this bar for the Melody or Soloist/Thru track. If you choose < no harmony >, a harmony that was previously playing will stop.
Set a specific beat for the harmony to begin, for example on a lead-in or pickup note at the end of a bar. You can also switch to different harmonies in the middle of your song.
Style, tempo, key signature, volume, patch, and harmony changes will be recorded on your song worksheet indicated by a red line below the bar number. Changes remain in effect from that bar forward until new changes are recorded or until the next chorus if you have set the changes to apply only to the current chorus.
This button will remove any settings you have changed for all bars.
This button will remove any settings you have changed for the current bar.
This button will open a dialog for advanced settings when making UserTracks.
This button will open a text report of all settings in the song that have been made in the Edit Settings for Current Bar dialog.
This summary is also available from the Song Memo.
Open the Notation window with the [Notation] toolbar button. You will see standard notation on the grand staff. There are 3 notation modes in Band-in-a-Box, selected with the buttons in the Notation window toolbar.
Standard Notation for display of notes, chords, lyrics, and optional guitar tablature as well as entering chords and lyrics. Notation is not editable in this mode.
Editable Notation to enter or edit notation with the mouse.
Staff Roll Notation works like the Editable Notation plus note velocities and durations can be viewed and edited with the mouse.
The Standard Notation window can be used for notation display and the entry of chords and lyrics. Just type a chord name and it will be inserted at the current time line location (the black vertical stripe just under the tool bar.)>
Click on the instrument buttons to see the notation for the different parts.
Notation supports various time signatures (4/4, 3/4, 12/8, 9/8, and 6/8). Press this button to select one of the time signatures from the list.
Press the [Opt.] button to set the Notation window options such as track type, bar resolution, lyric font size, and position, transpose options, and Regular or Jazz fonts.
This button opens the Lead Sheet window, which provides a full screen of notation either for an individual instrument or for multiple instruments that you choose to view together by clicking the instrument buttons while holding the Ctrl key.
This button opens the Event List for editing the Melody or Soloist track.
This is the button for note-based lyrics, which are automatically aligned with the corresponding note in the Melody track.
Use the plus and minus buttons to zoom the Notation in and out.
The text button lets you enter section text or boxed text into the notation.
When the Scrub button is selected, notes will play as the mouse is dragged over them while holding down the left mouse button.
This will generate a vocal track using an online third party vocal synthesizer called Sinsy for a MIDI melody track with lyrics.
This will launch an internet browser and show a video about Notation window.
This allows you to quickly change the number of bars per line.
This allows you to display notation with larger font size and note names within note heads. Press the button again to return to the normal size.
The Notation window displays an improved system of Bar Lyrics, Section Text, and Bar Settings, and additional chord mode (Roman Numeral, Nashville Notation, etc.) above the Standard chord symbols.
Click on the [Chord Display] button on the toolbar, go to Layers, and make a selection.
Editable Notation Mode
Click this button to go to Editable Notation mode. Chords, lyrics, and text can be entered as in the Standard Notation mode; the Editable Notation mode also permits point-and-click entry of notes and rests as well as drag-and-drop editing.
This is the screen for step-entry of a melody or for editing existing parts. There are checkboxes for different note entry modes.
The Note or Rest checkboxes determine whether a note or a rest will be inserted when the mouse is clicked.
When the Mono checkbox is selected, the notation is entered as monophonic (one note only). This is useful for melodies that only have one note playing at a time. Mono mode is a faster way to enter notes, because the Notation window will automatically delete a note that is present at the same location that you are putting a new note on. So if you have mistakenly put a B note on as a C, you just click on the B note, and if in mono mode the C note will be deleted automatically.
The notation has confirmation dialogs to prevent accidental entry of a duplicate note (same pitch near same time) of a very high or very low note (large # of ledger lines).
When music has been played in from a MIDI keyboard, there are frequently effects like grace notes, glitches, and notes played off time. The Clean Notation mode is an intelligent feature that “cleans up the notation” for you. It does this by eliminating the display of grace notes and glitches, and also simplifies the Notation display so it is more readable. Clean Notation doesn’t affect the actual track it just controls how it is displayed. In general, this should be on, since it improves the display. But if you want to see every grace note or glitch that was played, then turn it off.
In the Editable Notation mode each beat is sub-divided by either 3 or 4 broken vertical lines.
- Swing styles use 3 lines to divide each beat into eighth note swing triplets.
- Straight styles use 4 lines to divide each beat into sixteenth notes.
Click on this button to go to Staff Roll Notation mode.
In addition to the editing features of the Editable Notation mode, in Staff Roll mode the velocity (vertical line) and duration (horizontal line) of notes can be edited with the mouse.
Open the Notation window by pressing the notation button.
Press the [L] button on the Notation window toolbar. The Lyric Edit window opens up and the current note is highlighted. In this example, lyrics have already been entered in bars 1 and 2, and the first note of bar three is highlighted. The first syllable of the word “Swanee” has been typed in the lyric box.
Now by pressing Enter or Tab “Swa –” will be entered under the highlighted note and the highlight will automatically advance to the next note.
The [Line] button enters a forward slash “/” line break marker in the current lyric.
The [Para] button enters a backslash “ \” paragraph break marker in the current lyric.
The [Enter] button enters the current lyric, equivalent to hitting Enter key or Tab key.
The [Close] button closes the Lyrics Edit mode, equivalent to hitting the [L] button again.
Viewing the Lyrics
The big [L] button in the Views toolbar opens the Big Lyrics window. The font and colors are selectable, you can show or hide the chords, and words highlight as the music plays.
The Lead Sheet Notation window displays a full page of notation with lots of options such as a selectable number of staves per page, clefs to show, font size, margins, scroll-ahead notation, and lyrics. You can set it to a big font size and read the notation from across the room. Since the notation scrolls ahead, you can read ahead without waiting for a page turn.
You can launch the Lead Sheet window from the main screen by pressing the [Lead Sheet] button (or Alt+W).
The Lead Sheet window is also accessible from the Standard Notation window.
During playback, red rectangles highlight the current bar. If the bar is empty (or in Fake Sheet mode), the Lead Sheet will still outline the bar in red.
Multiple tracks of notation can be viewed together in the Lead Sheet window. To select tracks, hold down the Ctrl key and click on the part buttons at the top of the screen in the order that the tracks should appear from top to bottom. For example, clicking on [M], and then on [P] and [B] with the Ctrl key held down would display and print the multi-stave staff system shown. Multiple tracks can also be printed like a score.
If your song has 1st and 2nd endings or multiple verses of lyrics, multi-line lyrics can be displayed, so you will see all verses on the same fake sheet. Load in the song C:\bb\Documentation\Tutorials\Tutorial - BB 2005 Demos\Listen Multi-line lyrics Demo.MGU.
Open the Lead Sheet and select “Fake Sheet Mode.”
This song has a 1st/2nd ending entered, with separate lyrics for each ending. Multiple lines of lyrics will also appear if there are lyrics in multiple verses (choruses).
In the Notation Window Options, “Lyric Position” allows you to vertically position the height of the lyrics.
A large text block can now be appended to the Lead Sheet window and printout. This is ideal for song lyrics that you want entered as a text entry appended to the end, multiple verses of lyrics, or any other text.
Open the Lead Sheet window and select the [Memo] button to launch the Lead Sheet Memo.
The memo will be automatically positioned after the end of the lead sheet and printout. Use extra blank lines in the Lead Sheet Memo to control where it displays on the page.
There is an option to print the Lead Sheet memo on a new page of the printout.
Press the [Choose Font] button to select the font you would like for the memo.
A text block will be appended to the Lead Sheet window and printout. This could be song lyrics that you want appended to the end, multiple verses of lyrics, or any other text.
Click on the [Print] button in either the Notation window or the Lead Sheet window to print your song as sheet music. This launches the [Print Options] dialog with a full range of options including “Number of Copies” to print and “Print Range.” The options are fully described in the online Help and in the Notation chapter of this manual.
The [OK –Preview/Graphics] button opens the Preview window.
In this screen the notation can be saved as a graphics file to be imported to a document or uploaded to an Internet page. Choose the file type that you’d like to save to. If you want an exact rendition of the screen, choose MONO BMP, since bitmap files are saved without any loss of quality. If you want a smaller file of your composition for Internet use, choose a format like JPG, or PNG. These are smaller, because they compress the data, with some loss of quality.
To save a JPG file, press the [OK -Preview/Graphics] and [Save…] buttons and then select “Save to File Type: JPG.” You can then see the estimated size of the file and change settings by pressing the Low/Medium/High resolution buttons.
The notation can also be copied as a bitmap to the Windows® clipboard and then pasted into any application. This is done by clicking on the [Clipbd] button in the Preview screen.
To print a specific page, press the [Print Page] button.
You can save your printouts directly as a PDF file. From the Print dialog, press [Print to PDF]. This opens a Save As dialog for the pdf995 printer driver. Choose a location for your file and assign a name to the PDF, then press [Save] to create a fully portable file that you can view, print, post, or upload.
Normally, you would want a single part on the Melody and Soloist tracks. However, since MIDI information can have separate channels, it is possible to store 16 separate parts on each of the Melody and Soloist parts. When one of these tracks has been set to “Multi (16)-Channel” we refer to this as sequencer mode.
Now, when you are in this multi-channel mode, output from the Melody/Soloist part will be on whatever MIDI channel the information is stored on and will not be using the Melody/Soloist MIDI channel.
If you open the Lead Sheet window, you will see the entire MIDI file displayed on separate tracks of notation. This is likely “too much information” to read, unless you are a symphony conductor.
To customize the notation display for sequencer mode, press the [Opt.] button on the Lead Sheet window toolbar and see the settings for Multi-Channel Track display.
Note: These settings are only visible when the track type for the Melody or Soloist is set to Multi (16) – Channel.
Select “CUSTOM channels play/display” and press the [Set…] button to launch the Sequencer Window (Multi-channel track on Melody/Soloist) dialog. Then you can customize which channels will play and display.
This dialog can also be opened by clicking on the [SEQ] toolbar button on the main screen.
In the example picture, we have set Channel 2 (Bass) and Channel 4 (Trumpet) to show on the notation and have set all of the channels to play (to hear them).
For a specific channel, (e.g. channel 3: piano), we see the following information.
Channel 3: Acoustic Piano (this is the patch name found on the track).
842: There are 842 events in the track; usually every note is an event.
We have customized the piano track so that it can be heard (play=true), but not seen in notation (Show=false).
There is a small button at the right of the track line that allows you to delete, rechannel or merge the channel with another channel.
You can also change the patch (instrument) for that track by using the instrument patch combo box.
Now that we’ve customized the display, we are seeing bass and trumpet on the notation, and hearing the entire track.
There is a File | Open Special | Open Audio command, to open WAV, WMA, MP3, WMV, or CD Audio files.
Once opened, you can play the Audio track along with a Band-in-a-Box song.
Open an MP3/WAV/WMA or audio CD track, and play back at 1/2, 1/4, or 1/8 speed without affecting pitch. This is great for transcribing or analyzing audio. To play it at a slower speed, choose the desired speed on the Edit | Tempo menu.
The digital audio capability offered in Band-in-a-Box enables you to combine MIDI music with live digital audio recordings of voice and live instruments in a fully produced arrangement.
It also offers the ability to render a MIDI or MIDI+AUDIO composition into a single digital audio wave file. This file can then be converted into a CD-Audio or streaming Internet audio file.
Digital audio features are fully described in the Chapter 11.
To start recording audio, plug your instrument or microphone into the computer’s sound card. The Line Out from electronic instruments or amplifiers can be plugged directly into the Line In jack. To record your voice, or an acoustic instrument such as a flute, plug a microphone into the Mic jack.
Open the Record Audio dialog with the [Record Audio] button. This dialog lets you set the parameters for the recording session.
You can adjust recording levels from this dialog with the [Set Recording Properties] button.
Once you have set the recording properties and tested the recording input levels, recording is easy. Simply tell Band-in-a-Box the place in the song where you want to start recording, whether or not you want to record the MIDI data along with your acoustic instrument, and press [Record]. If you choose to start recording from the beginning of the song, Band-in-a-Box will start with a lead-in count before the music starts playing. If you are starting from elsewhere in the song, recording starts instantly.
Punch-in audio recording allows you to punch-in record or overdub a section of audio. You can hear the existing audio part when you are overdubbing.
To select a punch-in range, open the Audio Edit window and highlight the punch-in section. The highlighted range will set the From: and Thru: values for Punch-In Record.
Press the Esc key or click on [Stop] to stop recording. Band-in-a-Box will prompt you to keep the take or take again.
When you get a take you like, press the [OK – Keep Take] button to save your recording. Use the Options to record one Chorus and then copy it to the whole song, to overdub underlying audio on the track, and to retain audio past the new take just recorded (punch out).
You can apply a harmony to the audio part – allowing you to automatically create up to 4-part vocal harmonies from your singing. And don’t worry if your singing is not in perfect tune, Band-in-a-Box can now “fix” vocals to the correct pitch - automatically!
To use the audio harmony feature with the world-leading TC-Helicon Vocal Technologies engine, go to the menu Audio or Harmony and select Audio Harmonies & Pitch Tracking (TC Helicon). To use the built-in audio harmony feature, go to the menu Audio or Harmony and select Audio Harmonies, Pitch Tracking, Fix Tuning (Audio Edit).
The audio harmony features are fully described in the Working with Audio chapter.
You can add professional audio effects like reverb, echo, and compression by choosing a plug-in from the Audio menu (Audio | Plug-in). Band-in-a-Box comes with a large selection of high quality audio effects built-in, and DirectX plug-ins are supported.
The plug-ins apply audio effects or utilities such as compression to the already recorded audio part. A typical plug-in dialog is shown. The [Preview] button will play a short sample of the processed track, and the Edit | Undo command will restore the original track if applied before another edit is performed.
Would you like Band-in-a-Box to make a medley of various Band-in-a-Box songs (MGU)? This is easily done with the Medley Maker. Inside the Medley Maker, simply select the songs that you want, and Band-in-a-Box will make the medley for you.
To open the Medley Maker, click on the [Song Form] menu button on the Tools toolbar and select Medley Maker in the menu, or choose File | Import | Medley Maker.
A medley is not simply joining songs together. A good medley uses a “transition” area between songs to introduce the new style, key, and tempo. The Medley Maker automatically creates a nice transition area for you, writing in chords that would smoothly modulate to the next song, style, key, and tempo!
To make a medley,
- add songs by pressing the [Append] or [Insert] button.
- remove songs using [Delete].
- change the order of the songs using [Move Up], [Move Down].
- for any song, customize using the “Settings for this song” group box, including changing the style, tempo, key, start bar, # of bars, and # of transition bars. Press [Update] after customizing to see your changes in the medley list.
- choose the type of information to include with your medley (styles, key signature changes, lyrics, etc.) in the “Include with Songs” group box
- choose a number of transition bars (the default is 4). Transition bars are automatic bars of chords inserted by Band-in-a-Box to transition from one song to the other, generating an “outro” and an “intro” between songs.
Press the [Make Medley NOW] button to generate a medley.
The maximum size of the medley is 255 bars (about 7 minutes).
The current size and time of your medley is displayed in the Length label.
You can have multiple choruses, so if you had 3 choruses of a 250-bar medley, it would last 750 bars.
Once you have made a song (or have made changes to a song), you will probably want to save the song by clicking on the [Save] button. Or choose Save from the File menu, or press F2, or Ctrl+S.
Use [Save As] to save a song with a different name or in a different location. (Songs that are “Saved As” with a different name have the new name added to the Recently Played song dialog.) The [Save As] button menu includes additional options for saving a song.
Save Song with Patches & Harmony (Alt+F2) allows you to save a song with custom patch selections plus volume, reverb, bank, harmony, soloist and RealDrums. You can also choose to freeze tracks when saved. See the following topic, Saving Song Settings.
Songs will always be saved with last file extension letter of “U,” regardless of whether they are made with a built-in style or not. For example, if you make a song with ZZJAZZ.STY as the style (one of the 24 built-in styles), early versions of BB would save the song as MySong.MG1, where the “1” indicates Style #1 – ZZJAZZ. Now it is saved as MySong.MGU. Older songs loaded in with .MG1 will still be re-saved as MG1 to prevent duplicate song files.
If you have an audio file associated with the song, the audio portion will be saved separately, and will be called MySong.WAV.
By default, all settings are saved with songs unless the “Save all Settings with Songs” box is unchecked (off) in the Assign Instruments and Harmonies to Song dialog (Alt+F2 or File | Save Special | Save Song with Patches & Harmony).
This includes RealTracks, RealDrums, and RealTracks solos as well as Patches, Volume, Audio and MIDI Reverb, Tone, Panning, Bank, Harmony (both Melody and Thru), and the Soloist.
If you have some custom items that you don’t want to save with the song, you can uncheck the “Save all Settings” box and use this dialog to save only the settings you want to keep.
To save certain patches with a song:
- Choose the patch (instrument) that you would like from the dropdown patch list. Leave the other instruments at = 0 for no patch change. Remember that the General MIDI numbering system is always used for instruments.
- Press the [Fill w/Patches] button. This will fill the patch number boxes with the current patch settings showing on your main screen instrument panel.
Use the checkboxes to choose which instruments you would like to save and whether you would like to save the Melody and Thru harmony assignments and the Soloist selected to play on the song. You can also save the instruments as “On” or “Off” for each song. For example, you could have a song with no piano part.
Use the “Frozen” checkbox to put the track into a frozen state where it gets saved with the specific arrangement and won’t be overwritten by Band-in-a-Box.
You can still edit the frozen tracks.
Select the “For this song only, force MIDI drums” checkbox if you always want MIDI drums, not RealDrums, used with the song.
Select “For this song only, use this RealDrum style” to assign a specific RealDrums style to your song. Press the [RD] button to choose the RealDrums style.
This dialog is usually used in combination with and not instead of saving a song. To save a song with this embedded information to your hard drive, you therefore:
Choose File | Save Special | Save with Patches and Harmony (Alt+F2).
Choose the patch and other settings that you want to embed.
Press the [Save] button to save the song to disk.
Note that if you have set a MIDI patch for one of the instrument parts (bass/drums/piano/guitar/strings) and you load in another style, Band-in-a-Box will overwrite your patches with the style patches. If it didn’t do that, you would be stuck with the same patches regardless of the style. So, if you want a certain patch for a track, set it after you have loaded in the style that you want.
Any track can be frozen (MIDI or RealTrack). When frozen, it won’t get changed or re-generated. This saves time when replaying previous songs and allows you to freeze an arrangement that you like. If you freeze the whole song, you don’t have to wait at all for the song to regenerate. Next time you play, it is ready to go.
All tracks can be edited and saved. MIDI tracks for bass, drums, piano, guitar and strings can be edited, and saved with the file. If you freeze a track, edits can be still made to it, because it is only frozen from Band-in-a-Box making changes to it (you can still edit it), so that the MIDI track will be saved to the file. So, you can customize the bass part to match a certain song, and save it with a frozen bass part, so that Band-in-a-Box won’t overwrite your edits. This includes RealCharts – if you wanted to edit the notation of a RealTracks solo for example.
To edit a MIDI track (bass, drums, piano, guitar, strings), or the MIDI part of a RealTracks that has a RealChart (MIDI transcribed solo), simply open the Notation window or Piano Roll window and click on the track and edit it. Make sure to Freeze the track by pressing the [Freeze] button and choosing Freeze for that track, or right-clicking on the instrument at the top of the screen and choosing Freeze. Now your edited tracks will save with the song.
You can email a song (.MGU or .SGU), style (.STY and .STX) or rendered audio file (m4a, wma, wav, or mp3) as attachments.
Press the [Save As] button and choose Email song file(s) as attachment(s) to open the Email Song dialog.
The dialog allows you to choose what files you want to email:
- the song (.MGU or .SGU)
- the style (.STY and .STX)
- a rendered audio file (choice of m4a, wma, wav, mp3)
You can save your song as a video that you can upload to YouTube or work with in video programs. You can make a video for the Chord Sheet or the Notation window that shows the highlighted chords or notes moving as the song plays.
To use this feature, press the [Save as] button and choose Save as Video from the pulldown menu.
Choose the item (Chord Sheet or Notation track) to include in a video.
Enable “Custom dimensions” if you want to choose the width and height of the video. If this is disabled, the video dimensions will match the Chord Sheet as it appears.
A higher number you set for “Frames Per Second” will result in a large file and the rendering process will take longer.
You can select a specific “Codec” to encode the video. If “Auto” is selected, Band-in-a-Box will choose a compatible codec.
If “Include Title” is enabled, the video of the Chord Sheet will have a black bar at the top containing the title shown below.
The “Scroll Ahead” option makes video of the Chord Sheet scroll so the bar that is currently playing will always be at the top of the video (i.e., more bars ahead will be visible).
Click on the [OK - Render Video] button to start rendering the video. The video will continue to render unless you press the [Cancel Rendering] button. When the rendering is done, a message will show and you will be able to press the [Upload to YouTube] or [Show Video File].
Band-in-a-Box supports MusicXML so you can easily export your Band-in-a-Box songs into notation programs such as Finale, Sibelius, and Guitar Pro, while retaining the chords from the Band-in-a-Box song.
To save the song as a MusicXML file, press the [Save As] button and select Save Song as MusicXML file or go to menu File | Save Special | Save Song as MusicXML file.
When BB File Save dialog opens, specify a file name and the location, and press the [Save] button. This will open the Save XML File dialog.
First, select a track that you want to save in the XML file. To select multiple tracks, Ctrl+click on the track.
Then, select elements that you want to save in the XML file.
The “Track-specific settings” area lets you choose which clef to include for each track.
There is also an option to include a tablature.
The “Save tab as 2 separate parts (tracks)” option will save two parts: one for a notation track and the other for a tablature.
If you enable the “Save in Fake Sheet Mode” option, repeated sections will be hidden.
Press [OK], and the file will be ready to be opened in your notation program.
ABC notation is the simple text-based notation system used by musicians worldwide to store chords, melody, and lyrics of songs. You can find out more information about the songs and ABC notation at abcnotation.com.
To save the song as an ABC Notation file, press the [Save As] button and select Save as ABC Notation file or go to menu File | Save Special | Save Song as ABC Notation file.
Select a track to save Click on the track that you want to save in the file. This applies if “Include Notes” is enabled.
Include Chords - Check this to save chords in the file.
Include Notes - When this option is checked, notes on the selected track will be saved.
Simplified Chord Names - When this is enabled, complicated chords will be written as simplified names. For example, D7#5#9 will be written as D7.
Save in Fake Sheet mode - Enable the fake sheet mode if you want to save repeats and endings in the file.
[Copy to clipboard - Pressing this button will copy the file to the clipboard. You can then paste it into other programs.
[Save as File] - Press this button, and then you type a name and select the destination in your hard drive.
Your Band-in-a-Box songs can be saved as Type 0 and Type 1 MIDI files as well as Karaoke files and General MIDI lyrics. Click on the [.MID] button or press [F6] key to launch the dialog.
Select the type of MIDI file you want to save in the dropdown “MIDI File type” combo box.
By default, Band-in-a-Box writes Type 1 multiple track Standard MIDI Files. You can also save Type 0 MIDI files, they have all of the parts on a single track and are used by many hardware modules and other devices that play MIDI files because they are simpler to play (since they only have 1 track).
Karaoke files (.KAR) are a special type of sing-along MIDI file with text events for the lyrics and a specific order for the tracks. There is an option to write the MIDI file with separate tracks for each drum instrument. In the “MIDI File type” combo box, select “Drums on separate tracks.”
Use this button to set custom MIDI file settings in the MIDI file options dialog. This dialog is also available from the [MIDI File] button in the Preferences dialog (Options | Preferences).
Include Patch Changes in MIDI files will include the patch (instrument) changes.
Include Part Marker text markers writes descriptive text part markers to the MIDI file if selected. If “Include Part Marker text markers” is selected the resulting MIDI file will have text markers. Then, in PowerTracks Pro Audio or RealBand (in the Bars window) you will see the descriptive text markers.
For example, at bar 3, there is an “A, Chorus 1” marker, to indicate a part marker “a” substyle and chorus 1. Text markers are also read in from MIDI files and displayed as Section Markers on the Notation.
Include 2 bar lead-in in MIDI file If you don’t want to create a MIDI file containing the first 2 bars of the 1—2—1-2-3-4 count-in you can select this option. If there is a Melody pickup, then the 2-bar lead-in will remain in the file.
Write Lyrics in General MIDI format The GM specification has agreed upon specific requirements for writing lyrics in MIDI files, which are supported, so that lyrics that you save in Band-in-a-Box should show up identically in other MIDI programs. This is one of the MIDI File options in the Preferences dialog. We recommend the GM format.
Write Section Text as Text Events Your section text can be included in the MIDI file as text events.
Include Volume/Reverb/Chorus/Panning This will include the volume, reverb, chorus, and panning settings that you have made in the Band-in-a-Box synth window in your MIDI file.
Include Forced Channel Meta Event This will include the forced channel META event. It is recognized by PowerTracks Pro Audio and other PG Music Inc. programs only.
Include Guitar Position Controller This will insert a controller 84 which PG Music uses to indicate the fret position. Since some synths also use this for Portamento Control, you should use this setting with caution.
Write Soloist Part On Channel 5 Normally the program writes the Soloist part on channel 8. Since that could also mean the left hand of a piano track using the convention of channel 8/9 for piano, this option allows you to write it on channel 5 instead.
Write Harmony To MIDI File If set to YES, the harmony will be written to the MIDI file. If not, just the melody will be written to the MIDI file.
MIDI File Harmony on separate tracks If set to YES, the harmony will be written to the MIDI file on separate tracks for each voice. You could use this to print out individual parts to your printer for example.
Write Guitar part on 6 channels If set to YES, the styles that are Intelligent Guitar Styles will result in a MIDI file that has the Guitar part written on 6 channels (11-16). Then, when you read it in PowerTracks, or another sequencer that uses the convention of 11-16 for guitar strings, the guitar part will display correctly.
For partial range MIDI files, chop off sustaining notes at end turns off notes that would be “hung” because their associated Note Off event does not fall within the range of bars saved to the MIDI file.
If song has RealDrums, Also generate MIDI Drums in the MIDI file can be unchecked if your song uses RealDrums and you don’t want MIDI drums included in the MIDI file.
If song has RealDrums, Also generate RealDrums in xxxx_RealDrums.WAV file saves the RealDrums (which are audio) as a separate wave file. This allows you to easily import the entire Band-in-a-Box song into another program for editing.
When making a MIDI file, you can select a range of bars to be included. Highlight any range of bars, and the MIDI file will be made for just that range.
For example, you could select Chorus #2 if that is the chorus that you want.
The resultant MIDI file will be made from the selected range.
Alternatively, without selecting a range on the Chord Sheet, you can make a MIDI file for a partial range by pressing the MIDI file button, and then the “Set Range” button.
You can convert an entire folder of Band-in-a-Box songs to MIDI files with a single command and choose the resultant file names to be based on either the file name or the song title name.
Press the [Batch mode] button in the MIDI file dialog to access this feature.
[File on Disk] saves a MIDI file to your hard drive or floppy disk. You can then load the MIDI file into your sequencer for further editing.
[Clipboard] copies the MIDI file to the Windows® clipboard as a standard MIDI file. This feature allows clipboard enabled programs to Edit | Paste the Band-in-a-Box MIDI file directly into the program. For example, you can clipboard-paste Band-in-a-Box MIDI data to PowerTracks Pro Audio, CakeWalk, Musicator, etc.
The Melody/Soloist (with harmonies) will be written to the MIDI file. If you’ve set a Melody or Soloist/Thru Harmony, that MIDI data will be written to the MIDI file also. See the settings in the Options | Preferences dialog to control how the harmony is written to a MIDI file.
The Chord Sheet part markers are written to the MIDI files. They can be read by PowerTracks Pro Audio and by Band-in-a-Box if re-importing the MIDI file with the Chord Wizard.
Many people use Band-in-a-Box in live situations. If you are unable to bring your computer with you, a good alternative is a hardware sequencer or a keyboard with a built-in sequencer that reads Standard MIDI Files. To transfer songs to the Sound Brush, follow these simple steps:
- Make a MIDI file of the song by pressing the button.
- Either save the file directly to a floppy disk or copy it to the floppy from your hard drive.
- The Sound Brush is then able to read the IBM formatted disk with MIDI files on it.
When a MIDI file is loaded onto the Melody (or Soloist) track, the Track Type for the Melody (or Soloist) gets set to Multi-Track. When the file is saved, the extension will be MGX, allowing you to easily identify the Band-in-a-Box songs that you have that contain entire MIDI files.
If you have recorded an acoustic instrument, Band-in-a-Box can render the MIDI data to an audio file and merge it with your live audio recording to produce a complete digital audio file.
Press the [.WAV] button and choose Export Song as Audio File from the menu. This will open the Render to Audio File dialog.
Select the format of the audio file: WAV, WMA, WMA (lossless), M4A, or MP3. Note: If you are using Windows® XP or Vista, the M4A option requires Apple® QuickTime® Library for Windows®, available from www.apple.com.
When “Auto” is selected, individual tracks will be rendered as either mono or stereo, depending on the original source. You can also force to render all tracks as stereo or mono.
The bit rate selection is available for compressed audio files (WMA, M4A, and MP3).
Enable this option if you want the audio file normalized. Normalizing boosts the volume to a maximum level without distortion, but it takes longer to render.
One file per track
If this option is enabled, you will get separate audio files, one for each track.
Normalize individual tracks
Enable this option if you want each track normalized individually. This applies if the “One file per track” option is enabled or when you drag and drop an individual track out of Band-in-a-Box.
Include 2 bar lead-in
If this option is disabled and there is no lead-in in the Melody track, the lead-in will be skipped in the rendered file.
Include drums lead-in
Enable this if you want to include the drum count-in the rendered file.
Include ACID info
If you are rendering to a WAV audio file, you can include ACID information such as tempo, key, and time signature. The ACID information can be read by many DAW programs.
Delay at start (seconds)
This allows you to add silence in seconds at the start of the audio file.
Delay at end (seconds)
You can also add silence in seconds at the end of the audio file.
[Burn to Audio CD]
This button will open the MiniBurn program, which allows you to burn your own CD.
This button allows you to render all songs in a folder to audio files.
To render the song, press this button and select the name and destination for the audio file.
Do you need to convert an entire folder of Band-in-a-Box songs to audio files? This can be done easily by a single command with an option to name the resultant audio files based either on the original file name or the song title name.
Press the [Batch] button in the Render to Audio File dialog to open the Batch create audio files dialog.
Select the folder that you want to use (e.g. C:\bb\my songs).
Add a suffix for each file name.
For example, if the suffix is _Demo, then MySong.MGU will render as MySong_Demo.WAV.
Choose whether you want the filenames to be based on the filename or the song title.
Select the file type for the output file from the “Audio File Type” group box. When rendering to WMA or MP3 files, there is an option to also write WAV files.
This option resets the DXi synth after each render. This ensures that no audio (stuck notes etc.) from previous file is retained.
Press the [Go - Create audio files] button to render all of the Band-in-a-Box files in the folder to the selected audio format.
There is a Cancel button in the Batch Rendering dialog.
Press the [Burn to Audio CD] button in the Render to Audio File dialog to launch the MiniBurn program and burn your wave file to a CD, which will then play in a standard CD player.
If launched from Band-in-a-Box, the current BIAB song has automatically been added to the Burn List. If MiniBurn is running standalone, you must add Wave files to the Burn List.
Burn list files are displayed in MiniBurn’s central file list region.
Column 1- Track Number
Column 2- Path and name of Wave files
Column 3- Play time of each Track, formatted in minutes:seconds:frames
Burn Time indicates the sum of all the burn list track times.
Avail Time indicates the time available on the blank CD-R in the CD Burner. If no disc has been inserted, Avail Time reads “No Disc.” If an unwriteable disc has been inserted (CD-ROM disc or already-finalized CD-R, CD-RW), Avail Time reads “UnWritable.”
Add Files to the Burn List
Wave files can be added three ways:
- Use the menu item File/Add Track…
- Right-click on the Burn List and select “Add Track” from the pop-up menu.
- Drag wave files into the MiniBurn window from an open Windows® folder view.
Remove Files from the Burn List
Files can be removed two ways:
- Left-click to select a track, then use the menu item File | Remove Selected Track.
- Left-click to select a track, then right-click on the Burn List and pick “Remove Track” from the pop-up menu.
Clear All Files from the Burn List
The list can be cleared two ways:
- Use the menu item File | Clear All Tracks from Burn List.
- Right-click on the Burn List and select “Clear All Tracks” from the pop-up menu.
Change the Order of Tracks in the Burn List
Left-click on the “Trk” column of the file you wish to move and drag the file to a new location in the list.
Audition Tracks in the Burn List
Left-click to select a track in the Burn List, then right-click and pick “Play Selected File” from the pop-up menu.
To stop playback, right-click the Burn List and pick “Stop” from the pop-up menu.
It is not necessary to stop a wave file before playing a new wave file. It is not necessary to stop playback before burning. Playback stops automatically before burning begins.
Eject: Open the drive tray using the menu item CD Recorder | Eject. Of course, you can also press the eject button on the CD drive.
Close the Drive Tray: Close the drive tray using the menu item CD Recorder | Close Tray. You can also press the eject button on the CD drive, or gently push the drive tray to close it. Some manufacturers advise against closing the tray with a push.
Select a Burner
If the computer contains multiple burners, select a drive with the Burner drop-down menu. If a computer doesn’t have any supported drives, the Burner menu will be empty and burning is not possible.
Set the Burn Rate
MiniBurn automatically selects the fastest rate reported by your drive. It is typical to use the fastest rate, unless you know from previous experience that your computer doesn’t burn well at high speed. In that case, set a slower burn rate to ensure a good burn.
Test Mode Checkbox (Simulate Burn)
To test the CD Burner without actually writing a CD, turn on the Test Mode checkbox. After your PC has “proven itself” with a couple of good burns, routine testing is not necessary.
Cache Files Checkbox
If Cache Files is turned ON, MiniBurn writes an encoded temporary file before burning the CD. Unless burn errors are encountered, performance is faster with this option turned OFF. It is not usually necessary to Cache Files, but there are some situations where Caching is helpful:
1. On a very slow PC, the computer may not be fast enough to translate the wave file to CD audio while burning. Caching may be necessary to avoid errors.
2. If Burn List audio files are stored in another PC on your local network, the network transfer delay may cause errors. Caching will pre-fetch the files to your local hard disk before burning the CD.
Use Burn Proof Checkbox
Burn Proof is a technology available on many newer CD/DVD burners. With Burn Proof, it is less likely to accidentally make a bad CD. If a burner has the Burn Proof feature, the checkbox is automatically enabled and turned ON. If a burner does not have this feature, the checkbox is grayed-out and cannot be adjusted. Unless Burn Proof seems to be causing unlikely strange problems, always use this feature if it is available.
Burn CD + Finalize (Make Playable CD)
Start CD burning. This button is the preferred way to make CDs for use with standalone Audio CD Players. With the other options, “Burn CD – No Finalize” and “Finalize Only,” the tracks will typically be readable by computer CDROM drives, but all of your recorded tracks may not be visible to standalone Audio CD Players, even after the disc is finalized.
Burn CD – No Finalize (allow tracks to be added later)
Audio CDs must be “finalized” before they can be recognized by the majority of stand-alone audio CD players (stereos, boom boxes, portable CD players, automobile CD Players), or television DVD players. However, many computer CD drives can play “Un-Finalized” audio CDs, so you can play them on your computer until all the songs have been added to the CD.
Use “Burn CD – No Finalize” if you wish to add tracks to an audio CD over more than one session.
When adding tracks to an “Un-Finalized” audio CD, the Available Time field displays the “empty” time remaining on the CDR (the disc currently loaded in your burner).
Example: If you have already recorded 40 minutes to a 74- minute CDR, MiniBurn will display about 34 minutes of Available Time. Take care not to add more tracks than will properly fit on the CD’s remaining empty space.
Make sure that the Total Time does not exceed the Available Time!
Finalize Only (Make Playable CD without adding new tracks)
Audio CDs must be “Finalized” before they can be recognized by the majority of stand-alone audio CD players (stereos, boom boxes, portable CD players, automobile CD Players), or television DVD players. If you have previously added tracks to a disc with the Burn CD – No Finalize function, you can finalize the disc with the Finalize Only button.
Stop burning before the disc is finished.
Note: If you prematurely Stop, the CD will almost certainly be ruined.
While a CD is burning, progress is indicated in the lower-left of the MiniBurn window. Progress messages are also displayed in the Status Bar at the bottom of the window.
Read Buffer %- The computer’s disk read buffer usage. If Burn Proof is not available, you may have burn errors if this drops to zero in mid-burn. In this case, try a slower Burn Rate.
Drive Buffer %- The CD Burner’s write buffer usage. If Burn Proof is not available, you may have burn errors if this ever drops to zero. In this case, try a slower Burn Rate.
If a bona-fide buffer under-run actually occurs, MiniBurn also displays an error dialog at the end of the burn.
The two Buffer fields are most useful for diagnosing problems-- If the Read Buffer gets too low, it may mean that the Hard Drive (or network connection) is not fast enough.
If the Drive Buffer gets too low but the Read Buffer remains adequate, it may mean that background processes are stealing too much CPU time from MiniBurn.
Track Written- Indicate the current track’s progress.
Total Written- Indicate the progress of the entire burn.
Any track can be frozen (MIDI or RealTrack). When frozen, it won’t get changed or re-generated. This saves time when replaying previous songs and allows you to freeze an arrangement that you like. If you freeze the whole song, you don’t have to wait at all for the song to regenerate. Next time you play, it is ready to go.
This feature takes “freezing” a track one step further and saves the audio itself. So, you can send your Band-in-a-Box song to your friend, who will be able to play that track without needing to have the RealTracks installed.
To save the track, right-click on the track radio button and go to Track Actions | Save Track as Performance File. You have a choice of a WAV file or a WMA file. When you choose, the track will be rendered to C:\bb\<Song Title><track name>(e.g. Bass).WAV or .WMA.
You can use the Erase Performance Track command to remove the Performance Track.
For example, if the song is MySong.mgu, you put a file named MySong Melody.wma in the same folder, and that will be a performance track on the Melody track.
SoundCloud.com integration lets you upload your compositions easily to the SoundCloud.com service. SoundCloud.com is a popular web service (unaffiliated with PG Music) that lets users upload their original songs for others to hear.
Press the [.WAV] button to see the menu that includes the SoundCloud option to send the whole song to SoundCloud.com.
Or choose the main menu item File | Save Special | Send to SoundCloud.com. If you want to send a single track, drag that track from the instrument radio button to the Drop button and then right-click on the [Drop] button to choose Send File(s) To SoundCloud.
Your song will get uploaded in the audio format that you choose (M4A, MP4, WMA, WAV, MP3).
Saving to SoundCloud also saves a permanent copy of the file in the C:\bb\SoundCloud folder with the name <Song Title>_ToSoundCloud.wma.
The [Prefs] button opens the Preferences dialog, which allows you to set the program settings that are saved in the Band-in-a-Box configuration file called intrface.bbw. The various Preferences are described in detail in the Reference chapter.
You can save and load custom preferences files with your current settings saved and restored. For example, you can have a preference that remembers a certain group of songs, notation transpositions, etc.
The Options | Return to Factory Settings menu command saves preferences to disk, so that the settings can be restored at any time.
Choose the menu item Options | Save Preferences As to save a configuration or Options | Open Preferences File to load a saved configuration.
You have been through the full process of song production in Band-in-a-Box.
You can now produce a complete song in Band-in-a-Box with a melody, solo, and harmonies plus RealDrums and RealTracks and your own audio track with harmonies and professional effects.
You can print out beautiful notation in a professional “handwritten” Jazz font, complete with chord symbols, lyrics and your own text markers and annotations. And you can save your song in various MIDI and audio formats for playback from your computer, over the Internet, or from an audio CD.
You are ready for endless hours of fun and great music with Band-in-a-Box.
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